Culture/Society

The social justice warriors at Freeform are at it again, with the episode "Relation of Lines and Colors" of Switched at Birth revolving around the continuing racial tensions at the University of Missouri—Kansas City following an incident of *gasp* cultural appropriation. The episode, which aired February 21, began with the disclaimer: “While the story that you’re about to see is not based on…

After the outrageous season trailer promo for Fox’s The Mick went viral, I almost thought they would be shamed into cutting the image of a 7-year-old boy wearing a dress, but apparently that image is still alive and well in this most recent episode, albeit in a different dress.

This week ABC’s The Real O’Neals focused on the often-overlooked Catholic sacrament of Confirmation. As Kenny (Noah Galvin) states, it’s an act that “strengthens our bond with the Church.” Sounds like a nice little episode, right? Nope! That connection with the Church apparently extends to seeing God as whatever you want, even a woman. Yeah, nobody shows the bond to Catholic Church stronger than…

It's no secret Hollywood despises conservative presidents. On NBC's Timeless, they go so far as to imply President Ronald Reagan is part of the show's fictional evil organization, Rittenhouse. This is the second Republican President the show has said was a member of this corrupt cabal.

Well, if it ain’t “fake news,” it’s news so vanishingly inconsequential as to be close. But, hey, “This is CNN.” The third place cable news network has an article up on CNN Money hyping “sanctuary restaurants.” 

The second episode of this season of Showtime’s Billions, which aired February 19, illumines the left’s belief that any sort of success must be associated with moral indecency. The show revolves around the power politics between billionaire hedge-fund manager Bobby Axelrod (Damian Lewis) and U.S. Attorney Chuck Rhodes (Paul Giammati).

FOX's Family Guy takes a dramatic stance on GMOs debate on Sunday’s episode, “The Finer Strings.” Meg is in a school talent show and her group decides to write a rap to show their disdain for the company Monsanto and their genetically modified food products.  

Seven years of The Good Wife promoting the agenda of Hillary Clinton weren’t enough, apparently, for the creators of its spin-off The Good Fight. After the defeat of Clinton in November 2016, the creators were so caught off guard they had to overhaul the show because “things seem to be more politically freighted now.”

The premiere episode of HBO’s Crashing titled “Artie Lange” provides a twist – the leading character Pete (Pete Holmes), a wannabe stand-up comedian, is a Christian and works his faith into ordinary conversations. How refreshing.

The premiere of the second season of Showtime’s Billions, which aired February 19, illumines the left’s belief that any sort of success must be associated with moral indecency. The show revolves around the power politics between billionaire hedge-fund manager Bobby Axelrod (Damian Lewis) and U.S. Attorney Chuck Rhodes (Paul Giammati).

Without question, Donald Trump has been portrayed on virtually every media outlet for the past two years, mostly in bad taste. The trend continues on FOX’s The Simpsons.

The New York Times provided more publicity for the anti-Trump resistance with “Bookstores Stoke Resistance With Action, Not Just Books – Places of Business, and Hubs of Protest.” Three weeks ago, the NYT was also using the self-indulgent liberal theme of books as rebellion, finding ‘eerie parallels' between dystopian Books Like '1984' and the Trump presidency, though iconoclastic journalist…

The new CBS legal drama Doubt premiered on Wednesday night, and while it stars Katherine Heigl, Laverne Cox is getting all the attention for being the first transgender to be cast as a series regular on a network TV show - i.e. liberals are forcing the radical LGBQT agenda on American TV viewers again.

Another week, another bogus attempt by the Hollywood lefties to bash Americans. This time, NBC’s Blindspot makes a military contractor out to be the bad guy, trying to force the U.S. into a war for profit.