On October 12, the movie Gosnell: The Trial of America’s Biggest Serial Killer debuted in 673 theaters on October 12, and grossed $1.2 million in its first weekend.  But The Washington Post offered no review for its debut, although it was showing in eight Virginia theaters and six in Maryland. The New York Times offered reviews of 15 new movies that day, but not the pro-life one. The only major paper that reviewed it, the Los Angeles Times, lamented it had "a sanctimonious tone that’s anything but subtle.”



Gosnell works on so many levels it’s hard to count them all. The film tackles one of the most emotional subjects in our culture – abortion – with grace and care. The screenplay packs a specific point of view but leaves the soapbox storytelling off the frame. We’re gripped by a narrative that could chase away those with weak stomachs.



Arguably a contributing factor to the continuation of abortion is that it is performed out of sight and thus, out of many minds. A film about one of the worst practitioners of abortion, Kermit Gosnell, opens October 12 in at least 600 theaters. Gosnell is the Philadelphia abortionist sentenced in 2013 to life in prison without parole. The film is based on trial transcripts and police records.



“Gosnell: The Trial of America's Biggest Serial Killer” debuts in theaters nationwide on Oct. 12. I do believe this groundbreaking film by indie producers Phelim McAleer and Ann McElhinney is the most important movie in America right now — a true-life saga of good vs. evil, deadly medical malpractice, systemic government malfeasance and cultural apathy toward the most vulnerable members of our society.



Actor Dean Cain calls himself “pro-choice,” but that didn’t stop him starring in an upcoming film revealing the horror story of Philadelphia abortionist Kermit Gosnell. Cain stars as Detective James “Woody” Wood in Gosnell: The Trial of America's Biggest Serial Killer, which opens in as many as 750 theaters October 12. MRC Culture interviewed Cain Sept. 21 at Family Research Council’s 2018 Values Voter Summit. 



The new trailer for Gosnell teases the horror story of a murderous abortionist and his trial – including scenes of empty media seats in the courtroom. It’s right. I know because I was there. The trial of Philadelphia abortionist Kermit Gosnell, in which witnesses described baby abortion survivors “swimming" in toilets “to get out,” attracted a mere 12 – 15 reporters (many of whom, I noticed, were local). Only after 56 days did all three broadcast networks report on Gosnell. But the story is about to garner a new wave of attention with GVN Releasing opening the film, Gosnell: The Trial of America's Biggest Serial Killer, to as many as 750 theaters October 12.



For a summer installment of the entertainment industry’s winners and losers, entries include a successful sequel to a hit Pixar movie having libertarian undertones, Rob Reiner’s latest liberal flop, and a kids’ cartoon of all things joining the grievance industry. And skip down below the first review to avoid spoilers regarding the plot of Incredibles 2!



A former abortion worker is sharing her testimony, from storing aborted babies in milk jugs to learning to sleep in the dark again, in order to tell others like her: “get out.” Her story focuses on one of the most-underreported major crimes in years.



Even a best-selling book can’t change the liberal media’s silence on the infamous Philadelphia abortionist Kermit Gosnell, according to its publisher and authors. 



Six years ago, a deeply disturbing story emerged from a poor neighorhood in Philadelphia. In a horrific 261-page report, prosecutors accused abortionist Dr. Kermit Gosnell of delivering seven babies alive and then killing them by snipping their spines with scissors. He also allowed a woman who had survived 20 years as a refugee in Nepal to be incompetently overmedicated. She died at his clinic.

Documentary filmmakers Phelim McAleer and Ann McElhinney have written a new book titled Gosnell: The Untold Story of America’s Most Prolific Serial Killer. Journalists will sneer, since they somehow suggest abortion is a “choice,” not murder. This monster chose to kill. He is the face of the abortionist.



The producers of a record-breaking abortion movie are calling out Hollywood for a “politically-motivated double-standard” after distributors dismissed their film as “too controversial.”



In an excellent piece on Monday for The Federalist, Daily Signal senior news producer Kelsey Harkness thoroughly detailed her time at the 2016 Investigative Reporters and Editors Conference (IRE) that led her to conclude that “the problem” in the journalism profession today “goes far beyond agreeing on the facts” after seeing media bias in panels about guns and women’s health.