If I had a dollar for every time a critic championed a progressive show or movie for being “timely,” I’d be rich. But now that a film is timely in favor of the right, suddenly this is an abomination. In a Saturday column published in Variety, Owen Gleiberman complained about director Clint “Eastwood’s way of spinning our attitude toward the media” in his latest movie that was released on Friday. Richard Jewell is about the security guard unjustly accused of the 1996 Atlanta Olympics bombing.



New York Times reporter Marc Tracy made the front of Friday’s Business section with a story on press outrage over the treatment of late Atlanta Journal-Constitution reporter Kathy Scruggs, in “Richard Jewell,” directed by Clint Eastwood. Journalists are suddenly outraged over the common practice of Hollywood fictionalizing stories based on real life by adding details to juice up the story. Many movies have portrayed journalists as fictionally heroic without any complaints. But now that Eastwood is holding up irresponsible journalism in an unflattering light, the press is in full howl.



The level of chutzpah is high for the Atlanta Journal-Constitution, which smeared Richard Jewell as a bomber in 1996, and refused to pay him one red cent in remorse, and now protests that one of its reporters is unjustly smeared in the new Clint Eastwood film titled Richard Jewell. 



Timing is everything for living legend Clint Eastwood The actor/director served up American Sniper after Hollywood stopped firing cinematic shots at the U.S. Military. The results? Sniper earned $350 million at the U.S. box office. Two years later Eastwood directed Sully, just when movie goers craved a true American hero story. That movie hauled in $125 million domestically.



At 89, Clint Eastwood isn’t slowing down. In fact, his upcoming drama Richard Jewell began shooting in July and is primed to make its Oscar season debut Dec. 13. Eastwood is known for his unfussy filmmaking. Still, given his age it’s reasonable to think he wants to tell as many stories as possible before he leaves this mortal coil. And then what?



Everyone knows the saga surrounding the left-wing media company WarnerMedia. The AT&T-owned conglomerate’s divisions continue to engage in progressive groupthink, and viciously attack conservative counterparts to the messages being delivered on their news or entertainment offerings. Low-rated CNN, run by committed liberal Jeff Zucker, is obviously the worst offender when it comes to news media. But what about their movies?



More than twenty years before the students of Covington Catholic high school were branded as racist by much of the mainstream media for the high "crime" of merely standing in place while a leftist activist beat a drum in their vicinity there was another prominent victim of fake news. His name was Richard Jewell. He was the security guard who saved many lives during the 1996 Summer Olympics when he discovered a backpack filled with three pipe bombs at Centennial Olympic Park.

The public will be reminded of his ordeal in December with the release of a film directed by Clint Eastwood, "Richard Jewell."



Clint Eastwood did it again with his newest film, The 15:17 to Paris. The 87-year-old icon drove liberal critics batty with his 2014 smash American Sniper. Heroism? Sacrifice? All-American values? It’s like garlic to some film critics. They’d rather swoon at films depicting the U.S. Military in an unsavory fashion.



Clint Eastwood understands the cultural zeitgeist better than just about any Hollywood star. His “Dirty Harry” films arrived when the public had had enough of unchecked crime. Eastwood delivered “Unforgiven” just when we were ready to deconstruct the western genre. You don’t stay a star for more than five decades without understanding the culture at large. Yet “Sully” defies our current age.



During a recent interview with Clint Eastwood -- and his son, Scott  -- on the Esquire magazine's website, the popular actor and director criticized the current atmosphere of political correctness, telling writer Michael Hainey that when he was growing up, people could say a lot more and not be called a racist.

When the Cable News Network decided to discuss that topic, one of the panelists chosen to take part was Graham Beckel, an actor and the brother of liberal CNN pundit Bob Beckel, and the person who dominated the discussion by asserting such notions as the concept that Eastwood “transcends political correctness” and people should “just get over it.”



During a lengthy interview with a reporter from the Adweek magazine and website, Bill O'Reilly of the Fox News Channel discussed several topics, including the fact that he will not attend the Republican National Convention in Cleveland July 18-21 because he thinks the event will be “boring.”

When asked why he believes that, the host of the top-rated weeknight news program -- The O'Reilly Factor -- for the past 16 years responded: “Hillary's going to get up there, and she's going to be coronated. Maybe there'll be some Bernie fans, and he'll get his night to speak.” However, he noted "the big story” of both the Republican and Democratic gatherings will be who is selected vice president.



Vice Magazine has posted a long, fawning interview with limousine leftist documentary maker Michael Moore, infamous for his recent Twitter attack on U.S. Navy Seal Chris Kyle. Maintaining the offensiveness, Moore found American Sniper to be a racist "mess" and discredits the heroism of marksmen like Kyle, calling snipers "chicken-shit," saying the U.S. was the bad guy in Iraq. And on his Facebook page, Moore compared his conservative critics to the Islamic terrorists of ISIS.