Entertainment Media

Fox’s new show LA to Vegas usually takes the unfortunate middle ground between the mostly harmless Brooklyn Nine-Nine and the obnoxious The Mick. The latest episode, however, breaks the curve with a commercialized smack against Christianity. What a time to celebrate the Resurrection of Jesus Christ.

Earlier this month, the world-famous toy store chain Toys “R” Us announced it was it was liquidating its assets and going out of business, closing all 735 US stores by June. If that and the fact that over 33,000 jobs will be lost doesn’t convince you how kids today are living in a different world than the past few generations before them, look no further than this past weekend’s Nickelodeon Kids…

ESPN isn’t just dying the death of a thousand chord cuts. Ratings for the Oscars aren’t down simply because the Academy keeps nominating movies nobody has seen. And it wasn’t just a disappointing U.S. medal haul or NBC’s amateurish broadcast that drove Winter Olympics viewership down 24% compared to Sochi among viewers aged 18-49.

Protecting American children has become a full-time job with awful content emanating from the entertainment industry with sex and violence at the forefront. This is especially true with an industry that’s bigger than even movies or television...video games.

CBS’s Madam Secretary would like to interrupt its usual liberal pandering for ... even more liberal pandering. While this season has hammered down on refugees, government employees, and even removing the president from office, now the show is super serious on the subject of a new character’s sexuality.

It only took fourteen episodes of the final season, but ABC’s Scandal has finally covered the #MeToo movement. The latest episode has Olivia and the other Gladiators working to expose the sexual offenders within Congress, because if there is anyone qualified to expose hidden sex perverts, it’s a Hollywood show.

Hulu’s The Path has approached topics involving systemic racism, religion, and even life during the Trump administration. For a show that’s supposed to follow the politics of a cult, there seems to be a lot more of actual politics bouncing around in some episodes. Case in point, the latest episode featuring an outright promotion for reproductive rights.

ABC’s For The People is the latest series by outspokenly liberal producer Shonda Rhimes, the same woman behind ABC Thursday night powerhouses Grey's Anatomy, Scandal and How To Get Away With Murder. Because apparently we didn't have enough diverse, attractive people spewing liberal speech in our faces in settings like hospitals, D.C. and law schools, we now have this show to insert Rhimes’s moral…

For the past few weeks, Showtime’s Homeland hyped the potential danger of armed right-wingers. Now that danger has finally spilled over, and innocent lives are lost. In an interesting twist, however, Homeland just introduced a new enemy behind the lunatic fringe. Less interesting is that it involves Russia, election intereference, and the words “fake news.”

New York Times reporter Katie Rogers covered the impromptu discussion at the White House on video games and violence, and casually worked in several strong “censorship” smears against those concerned about the issue: "Melissa Henson, the director of programs for the Parents Television Council, a censorship advocacy group...."

FX’s Atlanta does not seem to have a high opinion of white people. This week’s story certainly didn't help matters with another obnoxious depiction of black people barely tolerating idiot white people. Can’t we all just get along?

The world of NBC’s Law & Order: Special Victims Unit is unraveling fast. First, it feels justified in showing a conservative pundit brutally raped. Then, it argues the merits of euthanizing a baby. Now, it’s advocating the “convict first, ask questions later” system of trying college rape cases. Whatever path the show is going down, I don’t want to be a part of it.

Following Sunday night’s Academy Awards being filled with nasty left-wing political rhetoric, on NBC’s Megyn Kelly Today on Monday, anchor Megyn Kelly and her panel of guests absurdly praised the Oscars for being “pretty much free of partisan attacks.” Apparently they forgot how host Jimmy Kimmel set the tone of the night by declaring: “We make films to upset Mike Pence.”

Heading into the 2018 Oscars on Sunday night, it was already a given that the awards show would be dominated by left-wing politics. With the liberal media over the moon over the Oscars, the ratings were bound to take a tumble and, boy, did they ever. All told, the 18.9 preliminary Nielsen rating marked an embarrassing 15.6 percent fall from the Kimmel-hosted 2017 edition.