Gateway Pundit blog and Michelle Malkin's Twitchy site both reported on Saturday how Ryan Clayton, a far left contributor to DailyKos and Huffington Post, was escorted out a Friday night showing of the documentary, Hating Breitbart, in Arlington, Virginia, for his outbursts during the opening minutes of the film. Clayton actually makes an appearance in the movie, where he shouted bogus allegations of cocaine use and soliciting male prostitutes at Breitbart in 2011.

I actually played a part in getting the leftist booted out of the theater. I went to the 10:20 pm showing at the invitation of Jason Jones of Movie to Movement, who is a good friend and a former boss. I sat towards the back of the theater, as many of the seats were filled by the time I entered. When the documentary started, Clayton somehow thought it was appropriate to add his own commentary track and laughed like a hyena at various points. I spoke up and told him to stop talking. But he didn't stop.



President Obama’s incessant Bush-blaming may be wearing thin with the electorate, but there’s at least one group out there still happy to believe the worst about our 43rd president and his government. Not surprisingly, they’re left-wing celebrities.

Hollywood, although not shy about promoting conspiracy theories in films, has eschewed the dark fantasy that 9/11 was an inside job. Until now.



The Left and the establishment press (but I repeat myself) are taking heart in the fact that Bruce Springsteen has agreed to campaign for Barack Obama in Ohio and Iowa later this week.

The campaign of Mitt Romney, and Republicans in general, are the ones who should be cheered by this development for two reasons. One of them, which is being reported, is that Springsteen said earlier this year that he wouldn't be campaigning; the fact that he has changed his mind proves that Team Obama is genuinely worried about their boss's reelection prospects. The second isn't as well-known, but should be. "The Boss" (i.e., Springsteen) went all-in with the Occupy movement earlier this year, essentially ratifying our incumbent president's endorsement. Springsteen's stance was described in several places in February, including at the Gothamist:



The Washington Post proved on Tuesday that it will promote “Occupy DC” protests as real “news events” no matter how poor the turnout. “About 50 protesters took to the streets waving signs, chanting and singing,” wrote the Post’s Annie Gowen. “They were trailed by a large cadre of D.C. police, in vans, on foot and on Segways, who obligingly shut down streets for them.”

And the Post obligingly awarded the protest with three splashy color photos, two on the front page of Metro, and a large 5-by-8-inch photo on the section’s back page. The paper's headline was “Occupy D.C. plans to stage its Act 2.” And it didn’t matter if this “stage” is sparsely attended, and only 30 people show up for events: 



Gosh, those were the good old days. Or so Meghan Barr at the Associated Press apparently believes.

As what's left of the Occupy Wall Street mobs from last year staged a pathetic anniversary protest in New York on Monday, Barr, in one of the most embarrassing reports I've seen emanate from the self-described "essential global news network," described them as "celebrating" and "giddy." At the end, in a desperate attempt to show that the movement actually accomplished something, Barr cited vague and I believe completely unrelated statements from two banks about "working with their customers." For those with strong stomachs, the first five and final paragraphs of Barr's beclowning follow the jump.



The New York Times celebrated the one year anniversary of the Occupy Wall Street encampment in Zuccotti Park near Wall Street in a fashion that vindicates former Public Editor Arthur Brisbane's concern that the paper celebrates left-wing movements like Occupy "more like causes than news subjects."

First was Sunday's "Dear Bankers: Thanks for Wrecking Our Lives..." by Mark Greif, the founding editor of n+1 magazine and editor of “The Trouble Is the Banks: Letters to Wall Street." His article in the Times featured illustrations by Mike McQuade of letters written to the big bad banks. Greif introduced the letters:



On Thursday’s All Things Considered, NPR anchor Melissa Block announced it was time to mark the anniversary of Occupy Wall Street protests. “One year later, the tent camps are gone. So what's happened to the movement and the people who joined it?” Question: If it failed utterly, why celebrate the anniversary?

For "reflections" on the state of this amorphous radical movement, Block interviewed two Occupiers NPR had previously interviewed when the protests were most heavily celebrated by the media. She had no conservative questions (or critical guests). At least, Occupy Boston activist Jason Potteiger has a sense of humor about it, telling NPR it was a failed political Woodstock:



Reuters has noted the one year anniversary coming this Monday of the Coffee Party, oops, I mean Occupy Wall Street. I can be forgiven for the error since both proved to be as big a flop as Joe Scarborough's No Labels. All of these failed movements had one other thing in common: they were given a boost at birth with extreme media hype. However, first the anniversary/obituary from Reuters:

(Reuters) - Occupy Wall Street marks its first anniversary on Monday, and, in a bid to rejuvenate a movement that has failed to sustain momentum after sparking a national conversation about economic inequality last fall, activists plan once again to descend on New York's financial district.



The Weekend Pass section of the Washington Post’s Express free tabloid on Thursday promoted a photography exhibit glorifying Occupy Wall Street. Over a full-page photo of Occupiers climbing the statue in McPherson Square was the headline “Picturing Protest: The Occupy movement’s early days come into focus with an exhibit of photos at American University.”

The Post’s Katie Auerbach explained the exhibit features photos blown up to near-life-size proportions for their “emotional impact.” The exhibit’s curator Allison Nordstrom insisted “We picked them for a level of drama and the way the pictures created a feeling. As you move through the exhibition, our hope is that you end up feeling like you’re a part of it.” 



CNN's Soledad O'Brien just isn't comfortable with anyone criticizing Barack Obama.

On Monday's Starting Point, the host seriously challenged her Tea Party guest, former Republican senatorial candidate Christine O'Donnell, when she had the nerve to say the President's policies were Marxist (video follows with transcript and commentary):



A Tuesday story from London-based New York Times reporter Alan Cowell on London's successful staging of the 2012 Olympics had this aside blaming last year's riots on societal "greed."

The Games took place almost exactly a year after riots and looting spread from London to other British cities, shocking the country with a vision of a society whose greed had produced an underclass fueled by violence, envy and alienation.



The upcoming documentary "Occupy Unmasked" is getting the kind of promotional push too rarely received by right-of-center films.

The movie, directed by Steve Bannon and featuring the late Andrew Breitbart, tells the story of the chaotic, destructive Occupy Wall Street movement. The message hardly fits the standard theatrical template, which routinely sides with or sympathizes with the bedraggled protesters seeking their "fair" share of the one percent's cash.