Philip Kennicott

As we've noted time and again, the Style section of the Washington Post has been reliably gaga over President Obama and liberal-friendly causes and campaigns. Today's Style page was no exception, with its front page dominated by an Obama for America photo that has been widely retweeted on Twitter and "liked" on Facebook. "Snapshot of an equal, modern marriage," gushes the headline. "Loving…

On the first Sunday of Advent, The Washington Post devoted two stories on the front of its Arts section to revisiting last year's controversy over a gay-left exhibit at the National Portrait Gallery that starred a video with ants crawling on the crucifix of Jesus. The "Hide/Seek" propaganda assembly is now on display at the Brooklyn Museum, and Post critic Philip Kennicott thinks the "right-…

"To passerby" the Occupy D.C. protest at McPherson Square "is a jumble of tents and blue tarps," but to the Washington Post's Philip Kennicott, the Occupiers "have 'activated' the urban core," with "a living exercise in do-it-yourself (or DIY) urbanism, a trendy movement that strives to engage ordinary people in a hands-on approach to shaping and claiming public space." And that's just the…

On Sunday, the Lord’s Day, The Washington Post knows how to bow to its god, too: political correctness. In Sunday’s Arts section, critic Philip Kennicott announces these maxims. 1) The Western art world and art history is overwhelmingly gay; 2) The level of tolerance for any conservative dissent from this overwhelming gayness is now zero; and 3) While “homophobia” has yet to banned from society…

Washington Post art critic Philip Kennicott couldn't bring himself in a Tuesday essay to dwell on the evil of Osama bin Laden. He committed a "single morning of destruction," but he was really so much more fascinating than that. He killed a few thousand people, to be sure. But on the bright side, his actions led to the Kennedy Center's "Arabesque" festival and he was "very good for book clubs"…

It was two days before Christmas, and some Washingtonians were still complaining that images mocking Jesus had been removed from the National Portrait Gallery. On the top of the front of the Style section on Thursday, Washington Post art critic Philip Kennicott called for the head of Smithsonian secretary Wayne Clough: "the best option for undoing the damage remains the resignation of the man…

The Washington Post keeps adding to its sympathetic portrayal of the radical-left gay artist whose work was removed from the National Portrait Gallery for putting ants on a crucifix, mocking Jesus Christ. Three days ago, The Post's Style section lamented on the front of the Style section about how the "pesky ant video refuses to die." But on Friday morning, a huge (8 by 8) black-and-white photo…

On Friday, Washington Post film critic Ann Hornaday merged her review of Iron Man 2 with a leftist documentary on convicted conservative lobbyist Jack Abramoff. This strange mix led to Hornaday recklessly suggesting that Abramoff and former Rep. Tom DeLay may rehabilitate their careers when they should have been "killed off." Is that a metaphor? Not if you're holding a sign at a Tea Party rally.…

An article in Thursday’s Washington Post lashed out at the viral Obama-as-the-Joker posters, attacking them as promoting "coded," "racially charged" images. Art critic Philip Kennicott smeared the images, which have been showing up in Los Angeles, as flat-out bigoted: "The charge of socialism is secondary to the basic message that Obama can't be trusted, not because he is a politician, but…

Just as segregation in the South “blunted the force of moral outrage against the Nazis” during the 1936 Olympics in Berlin, Washington Post arts critic Philip Kennicott contended in a Saturday lead “Style” section piece on a new exhibit at the U.S. Holocaust Memorial Museum on the 1936 games, Abu Ghraib and Guantanamo have also undermined arguments against Chinese political repression before the…