The Hollywood Reporter should really just focus on reporting the petty facts of celebrity living, because beyond that their credibility takes a wicked nosedive. Recently THR critics praised the latest season of The Man in The High Castle as “must see TV” for its “Trump-era relevancy.”
CBS All-Access decided to celebrate Halloween its own way with the release of its fairy-tale-based series Tell Me A Story. Described as “a dark and twisted psychological thriller” set in modern-day New York, the show aims to subvert expectations regarding the characters from three classic children's stories. By this, I mean there's lots of cursing, some casual sex, and, of course, references to Trump’s America. I doubt the Grimm brothers could have foreseen that outlook.
We’re about halfway through this year’s edition of Sarah Silverman’s I Love You America, and the end can’t come soon enough. With Kavanaugh derangement, Trump derangement, and a downright hatred for conservatives, the Hulu show has been leftist spiral after unfunny leftist spiral. Now October 11 brought another episode with all 3 awful features plus a bonus lecture on climate change. Yippie!
Sarah Silverman’s I Love You, America has become indistinguishable from every liberal news panel or late-night talk show out there nowadays. Case in point, the October 4 episode delivers almost a half-hour of the same tired, debunked, and all-around irritating talking points surrounding the Kavanaugh hearings. It looks like she’s running out of unique ideas.
Only two episodes into its return and Sarah Silverman’s I Love You America is already probably the most obnoxious show of 2018. After a lousy hate-fest last week, the Hulu series continues to promote its hatred for all things right-wing. This week is no different, except with more profane jabs at President Trump.
A Net Neutrality-free Internet – is the Internet status quo. It’s “The Internet as we know it.”
Everything you knew about the Internet the first two-plus decades – is what you know about the Internet now.
Everything else being flung at you by the Media-Left – is just ideological monkey poo.
We’re hardly halfway through 2018, and entertainment television has already given us heaps of liberal propaganda before we've even started our summer vacations. If the first five months were any indication, we’re in for a long year filled with race-baiting, Christian-bashing, and ever-growing Trump Derangement Syndrome.
You might recall that ABC’s Designated Survivor was one of many shows this season that have offered up a plot involving the removal of a president from office. Now, the series has changed tactics by simply introducing a potential indictment to tarnish the president's administration and dissuade him from running for reelection. One way or another, I guess liberals are determined to take down a president, especially since it’s not working in real life.
Showtime’s Homeland has already shown how they're relating the show to the Trump administration this season. Now they've show their true colors by finally reaching the end goal: invoking the 25th Amendment. Yes, I’m sure that forcibly removing the first female president will definitely show President Trump a thing or two.
NBC’s Law & Order: Special Victims Unit has been particularly biased for this season, and the latest episode is no exception. Not only do we experience some full-on propaganda for transgenders in the military but a Twitter jab at the president as well. It’s about time I suppose.
The world of NBC’s Law & Order: Special Victims Unit is unraveling fast. First, it feels justified in showing a conservative pundit brutally raped. Then, it argues the merits of euthanizing a baby. Now, it’s advocating the “convict first, ask questions later” system of trying college rape cases. Whatever path the show is going down, I don’t want to be a part of it.
Have you been looking to close out your weekend with a program that is insufferable and self-satisfied beyond measure? Then, boy, does HBO have the show for you! Here and Now premiered February 11 with its pilot episode "Eleven, Eleven," which introduced us to the painfully enlightened Bayer-Boatwright family. If you wonder how much of a cliche the show is, it opens with a dude in a man bun riding his bike down the streets of Portland. Of course.