Score one for the queer flightless aquatic bird community, and for the gang at The New York Times!

 


It seemed as if our culture couldn’t have gotten more confused about sexuality before LGBT became LGBTQIA+, but that notion has been proven wrong with one outrageous equality push after another. Fortunately, ABC’s summer drama, Grand Hotel, tries to clear that all up for us in their latest episode.



Billboard and The Hollywood Reporter have recently announced their first annual upcoming LGBTQ+ convention. Dubbed the “Pride Summit,” the event is purported to be a massive get together of industry execs and their media friends to shove more “LGBTQ visibility” into every minute of Americans' screen watching, music-listening time.



On July 23, New York Magazine published perhaps the most egregious case of liberal insanity you will ever find in printed text -- a story you have to read to believe. The 7,000-word true story was written by journalist Kera Bolonik, and it encapsulates the mangled family lives and harrowing decadence that is characteristic of our country’s most elite institutions. 



On BBC’s Episode 4 of Years and Years, which aired July 15 in the United States on HBO, it’s now 2027. The world continues to be in chaos, with financial and governing problems plaguing European nations. The United States is hit, too, as Roe v. Wade has finally been overturned, all these years later.



Coming off a high-earning debut the first week of July, the newest Marvel blockbuster, Spiderman: Far From Home, shows that the Spidey franchise still has plenty of gas left in it. However, should the public’s affinity for the wallcrawler start to cool, series star Tom Holland broached some ideas that may inject new life. If you guessed a sexual and racial reorientation, then kudos. You’ve been paying attention.



Marriage doesn’t sit kindly with the left. It perpetuates misogyny and reinforces the patriarchy. But according to The Atlantic, it also inevitably makes us unhappier. In an article published on July 2nd, Mandy Lee Catron argued that marriage is obsolete because it makes people lonelier and holds “queer people” back.



Pop sweetheart Miley Cyrus’ new video for her song “Mother’s Daughter” is intended to be a new age anthem of female expression and freedom. Is it any wonder that it comes off as completely unnerving and a little hellish? Ms. Cyrus’ ode to feminism and inclusivity is a bad acid trip of strange sexuality, including blood red latex, teeth-lined female codpieces, wheelchair bound trans women, aggressive gyrating, and quotes such as “Virginity is a social construct.”



Pride Month has ended. Big corporations have shed their rainbow skins; the media’s daily celebration of drag queen shenanigans and sexualized children has trickled down to its ordinary amount. But The New York Times managed one last gay huzzah, and it was a shot at the Catholic Church to boot.



What is the ideal American family? Is it a loving mother and father with happy children living on their own property with a white picket fence? Nope, according to The Guardian, it’s a gender queer family of clown nuns.



Taylor Swift may have stirred up some “Bad Blood” with social justice warriors for not being sufficiently woke in her new pro-LGBT song. On Friday the pop star released the lyric video to the single “You Need to Calm Down” and on Monday she released the official music video which appears to take place in a gay, rainbow-themed trailer park and features dozens of (mostly) LGBT celebrity cameos.



It’s no big secret that the left openly targets Christianity for its views on marriage and gender. From the “Shame List” of faith-based colleges to the “Slate of Hate” of religious liberty bills, private religious institutions everywhere are smacked with the labels “hateful” and “bigotted” by the left-wing media. Now, bestselling romance novelist Nicholas Sparks is next to face the media’s branding iron.