It is almost impossible to keep up with the constant hypersexualization of children’s identity in current entertainment. The legalization of same-sex marriage opened up one of the next frontiers in the radical LGBT agenda -- the idea of locking children into a homosexual identity before full sexual maturation.
The fact that once-proud Christian establishment Chick-fil-A has just been scared off from donating to its Christian allies by the leftist mob feels like a betrayal and the end of an era. For the past seven years, the chain has championed conservative Christians and their values and now, by ditching their donations to Christian charities to appease a vocal 4 percent of the population, it’s clear they care more about their PC image than the Christians who stuck by them through thick and thin.
CW’s Batwoman is a bad show on good day. When it occasionally brings up social justice talking points, it can only get worse. Unfortunately, this week is another time where things only get worse as Batwoman fights her biggest enemy: homophobia.
Get ready, gamers. Microsoft has teamed up with GLAAD to create a video game where players get to control a trans character! I’ll let you catch your breath. Debuting at Microsoft’s “X019” tech event in London, the game Tell Me Why features “a playable main character who identifies as transgender.”
As the saying goes, birds of a feather … flip the bird to America together. Like U.S. women’s World Cup champion, feminist activist and angry lesbian Megan Rapinoe dedicating her Glamour “Women of the Year Award” to disgraced, race-baiting former NFL quarterback Colin Kaepernick.
Tuesday brought confirmation of two important truths: no good deed (or 129 years of them) goes unpunished; and the “woke” left hates people. That’s why a British singer may not be performing at the Dallas Cowboys’ Thanksgiving halftime show. The show is the official kickoff of the Salvation Army’s annual Red Kettle campaign, which runs through Christmas Eve -- you know, the cheerful people who stand in the cold outside supermarkets and ring bells and collect donations.
If you want a concise distillation of how serious the left’s impeachment attempts are on this first official day of hearings, look at the Drag Queen journalists on the ground at Capitol Hill. Just try to tell yourself — without wincing — that this is a “sad” and oh-so-serious day for democracy, as Nancy Pelosi puts it.
It is 2019 which means that all childhood innocence must be sexualized and weaponized for the LGBT movement. Introducing the latest entry in this slow-burn of Western Civilization: a viral car commercial. The new ad for the Renault Clio in the UK, released on November 7 and titled “30 Years in the Making,” begins with a sweet childhood friendship between two girls.
Disney has officially joined the streaming race with its new service Disney+, or DisneyPlus, and with that comes its own original content. First up is High School Musical: The Musical: The Series (yes, really), a meta-mockumentary following teens performing a stage version of High School Musical at the high school it was filmed. If this is a sign of things to come, this is probably the start of something bad.
There's no LGBT wing in Baseball's Hall of Fame. Not yet, but don't hold your breath! An LGBT advocate is targeting yet another cultural institution to infiltrate: baseball's Hall of Fame in Cooperstown. Nobody's claiming Ted Williams and Yogi Berra were flaming (not yet), but SB Nation Outsports writer Ken Schultz is saying is the Hall of Fame should add an exhibit to spotlight LGBTQ figures of baseball's past and present.
For All Mankind may be interested in showing us its alternative history, but that’s nothing compared to showing us its propaganda. The Apple TV+ series continues to push its feminist agenda by dragging NASA as male-driven and sexist. What isn’t sexist to TV writers these days?
Congratulations to GLAAD. A group that claims to speak for 4% of the population has already reached its 2020 goal of bullying Hollywood into over-representing gays on TV. In fact, according to the organization’s “Where We Are On TV” report, gay characters are at an “all-time high.” The group boasts “10 percent LGBTQ inclusion among broadcast series regular characters on primetime scripted series,” with all LGBT series regulars comprising 10.2% of network characters.