On MTV’s Video Music Awards on August 25, Taylor Swift won the Video of the Year award for her latest song “You Need to Calm Down.” It’s a song that trashes anyone still dissenting from the LGBTQ agenda, begging them to “control your urges to scream about all the people you hate / 'Cause shade never made anybody less gay.” The network news shows gushed over her leftist activism and the “Taylor Effect” they expect it to provide.



Variety really, really wants Taylor Swift to be an anti-Trump troubadour. The chorus of Cracker’s raucous “Teens Angst” might not be the greatest line in rock n’ roll history, but it’s up there. And it has the advantage of being timeless. As in 1992, the world needs a lot of things, but the political musings of musicians and poptarts aren’t among them.



All three networks couldn’t stop gushing over pop star Taylor Swift’s liberal awakening on full display at last night’s MTV Video Music Awards. While accepting an award, the singer called on the White House to respond to a Change.org petition to pass the “equality act” a federal level law banning “discrimination” against transgender and gay people. ABC, NBC and CBS gave Swift the royalty treatment, praising her “powerful” and “intelligent” speech and “transformation” embracing the left.



Who knew that a star of the show GLOW on Netflix was a constitutional scholar? She's not, and yet, actress Alison Brie declared with certainty on the stage of the 2019 MTV Video Music Awards Monday night that what America is doing to immigrants is “unconstitutional and frankly disgusting."



Taylor Swift has gone from zero to sixty in record time when it comes to social justice activism. With the August release of her latest album, “Lover,” she joins the tired chorus of lefty status quo politics. In her latest project, the pop princess tackles the real issues of the day, like sexism and LGBTQ suffrage. She has also made no bones about the fact that America is in a dark place in 2019, telling reporters she thinks Trump is “tearing the country apart.”



Taylor Swift seems to be looking for a new reputation as leftwing savant and the singer has definitely put in a good effort, working hard to slam conservative perspectives ever since coming out against Tennessee Republican Senator Marsha Blackburn in the November Midterm elections less than a year ago. In that short period she’s gone from knocking Blackburn’s platform of hate to now brutally slamming “white cisgender males” in Vogue’s September 2019 issue.



Taylor Swift may have stirred up some “Bad Blood” with social justice warriors for not being sufficiently woke in her new pro-LGBT song. On Friday the pop star released the lyric video to the single “You Need to Calm Down” and on Monday she released the official music video which appears to take place in a gay, rainbow-themed trailer park and features dozens of (mostly) LGBT celebrity cameos.



Ever since her decision to go political back in October, Taylor Swift has chugged the entire pitcher of liberal Kool-aid. On Saturday, Swift posted a letter she wrote to Tennessee Senator Lamar Alexander on her Instagram. The letter urged the Senator to support the Equality Act, an “anti-discrimination” bill that discriminates against religious views on traditional marriage and biological sex.



Remember when Taylor Swift refused to get political? Good times. Now we know she’s a garden-variety entertainment lefty, and she’s proving it with a large donation to an aggressive pro-LGBT interest group in Tennessee.



Finally, Taylor Swift has promised to grace us with more of her political opinion. After years of media haranguing and being quiet when asked her opinions on the bad Orange Man (Vice claimed her silence may be partially to blame for Trump’s election) the pop princess claimed that from here on out she “will be more active in political campaigns.”



Taylor Swift is undeniably talented, but she seems to have been struggling with identity for the better part of her career. Her days of strumming tunes about lost high school love into the hearts of country audiences are very long gone, and since the early 2010’s she has been trying to reinvent herself as a pop princess of the same strain as Katy Perry and Ke$ha. Simply put, Swift is a revolving door for labels.



It happens all too often these days in Tinseltown. A studio spends a gazillion dollars on the CGI-est spandex simulations and atomic death ray explosions in the latest installment of Mission Impossible 9: Batman Punches The Death Star, only to see it’s surefire summer blockbuster bring in B Movie-level receipts.