Media liberals are rooting for NBC’s two-gay-dads sitcom The New Normal. USA Today TV critic Robert Bianco made it number two on his favorite new shows: “For the most part, Normal plays like a lovely, small movie, mixing humorous moments with sweet, gentle grace notes.” Alessandra Stanley at The New York Times tries to make the bold statement: "Gay is the new straight."
Washington Post TV critic Hank Stuever is less impressed, given that its producer (Glee creator Ryan Murphy) tends to lose creative steam. But Stuever loves the “deliciously acid” Phyllis Schlafly character with Callista Gingrich hair:
USA Today’s Robert Bianco complained, “But on the crucial social issue itself – a person's right to die and a doctor's obligation to assist – the film falls squarely and unfailingly on Kevorkian's side.”
According to Bianco, “Everyone who stands against him is either an idiot, a bigot, or a politically motivated hack.” He cautioned, “Take that as a dual warning: You don’t get balance, and that one-sided approach can’t quite support the film’s overextended, two-hour-plus length.”
For all that critics have hailed ABC's "Modern Family" for its non-stereotypical portrayal of a gay couple, the show itself is stereotypical Hollywood propaganda.
"Modern Family," filmed in a mock-documentary style, examines the lives of three couples from one family. Patriarch Jay (Ed O'Neill) is married to a much-younger, feisty Colombian woman. His daughter Claire is married to Phil who treats parenting like playtime. Jay's son Mitchell, is gay, and when the show began, has just adopted a baby with his partner Cameron.
Producers treated the 12.7 million viewers who tuned in Wednesday night for the premiere to a pro-gay adoption speech within the first two minutes of the program.