If you wondered what kind of dad that liberal Ryan (Jordan Masterson) was going to be to his new daughter on Last Man Standing, January 23’s episode “Bedtime Story” clued us in.
On the front page of Saturday’s New York Times, reporter Lisa Lerer wondered why so many women were reluctant to vote for a woman (i.e. Elizabeth Warren) to run for president in “Taking Feminism to Heart, if Not to the Caucuses – Beating Trump Matters More Than Electing a Woman, to Some.” As is often the case, unfettered abortion rights was a priority: "Ms. Schlenker has seen how the current political moment has convinced her daughter that her rights could be taken away, and that sexism remains a force in both of their lives."
MSNBC weekend anchor Alicia Menendez, daughter of Democrat Senator Bob Menendez, appeared on The View Friday to plug her new book about sexism, called The Likeability Trap. She fit right in at the table, as the hosts have been cheering Elizabeth Warren for standing up to “sexist” Bernie Sanders, all week. The hosts used the book’s theme to rehash their complaints about how America doesn’t like female candidates, both in 2016 and 2020.
Our democracy is dying: Russia/Ukrainegate has floundered and legal abortion may not be long for this world. In this dire time for progressives, a disgusting pro-abortion art installation must give them comfort. The Guardian and Bloomberg News praised the latest abomination in modern art as a necessary balm to the country’s anti-abortion “stigma” and a great way to “raise funds” for the child-killing procedure.
Apparently Disney and Marvel’s next installment in the comic book movie series Captain Marvel promises to be even more woke than the first outing. And if that seemed impossible, just know that the newly-announced writer is an “uber feminist” and “pro-Iranian,” in addition to being rabidly anti-Trump.
The Human Rights Campaign unveiled their new guide for trans sex and it’s about as weird as you can imagine.
Alisha Haridasani Gupta, who writes the New York Times’ feminist newsletter “In Her Words,” made Page Two of Tuesday’s edition with “Powering the Democratic Party.” She talked to the Times' Lisa Lerer about House Speaker Nancy Pelosi. It's a truncated, version of a month-old Q&A from Gupta’s newsletter, suggesting its sole function is to welcome back “powerful” Pelosi as the impeachment fight kicks in again. Gupta opened with an approving anecdote of a politician attacking a press member, a seemingly odd position for a journalist to take -- until you realize it was a conservative journalist under attack.
GLAAD media will be recognizing pop megastar Taylor Swift’s commitment to LGBTQ issues during the gay entertainment lobby’s annual award show later this year.
The #MeToo movement accusing male celebrities of committing sexual harassment crimes is still playing out even thought we’re now in 2020, more than three years since the scandal started. The latest development came on Thursday, when a judge ruled against a motion to dismiss allegations regarding former talk show host Tavis Smiley, who was suspended by PBS after a report from an external investigator described his inappropriate behavior.
Two years after renowned Minnesota Public Radio host Garrison Keillor lost his job due to multiple allegations of sexual harassment, he’s back in the limelight. This time he’s being featured in a popular Minnesotan magazine.
Ah a Democratic Presidential debate. The only contest in which the usage of the phrase “pillow fight” generates excitement. No, really. GLAAD, the speech Stasi for all things LGBT, blasted Politico for using the phrase in reference to a less-than-brutal debate exchange between South Bend, Indiana Mayor Buttigieg (who is gay) and Sen. Elizabeth Warren (who isn’t an Indian), claiming it “offended people.”
Michelle Wolf has been trying to claw her way back to notoriety since attacking former U.S. Press Secretary Sarah Huckabee Sanders at the 2018 White House Correspondents Dinner. Now she’s got a new weapons grade joke designed to trigger conservatives, and well, we’ll give her credit. Combining blasphemy and abortion, Wolf joked that her own procedure made her feel so “powerful” that she “felt like God.”