From their usual lack of coverage on the annual March for Life to treating pro-lifers as wholesale crazies, it’s clear that the media doesn’t want to face the intimate realities of legal baby killing. The recent film about the trial of abortion doctor Kermit Gosnell, not only tells his story, but shows how reluctant the media is to touch abortion, even if events surrounding it involve first degree murder.
Arguably a contributing factor to the continuation of abortion is that it is performed out of sight and thus, out of many minds. A film about one of the worst practitioners of abortion, Kermit Gosnell, opens October 12 in at least 600 theaters. Gosnell is the Philadelphia abortionist sentenced in 2013 to life in prison without parole. The film is based on trial transcripts and police records.
“Gosnell: The Trial of America's Biggest Serial Killer” debuts in theaters nationwide on Oct. 12. I do believe this groundbreaking film by indie producers Phelim McAleer and Ann McElhinney is the most important movie in America right now — a true-life saga of good vs. evil, deadly medical malpractice, systemic government malfeasance and cultural apathy toward the most vulnerable members of our society.
If Tom Arnold was ever relevant, he’s working overtime to recapture that nanosecond. And his tactics are brilliant: act like a petulant baby. He was belligerent during his interview with Megyn Kelly, and quite combative during a recent sit-down with Ben Shapiro. Most recently, Arnold has been recorded being a complete jerk to Gosnell star Dean Cain, using politics as an excuse to smear and yell at him.
Society often tells young women that they have to choose between either their unborn children or their careers, but one defiant singer refuses to choose on Fox's music drama Star.
Men, get ready. The feminist rage is upon you. In light of the heated Kavanaugh/Ford hearings and Republican senators’ push to install Kavanaugh as a Supreme Court justice on Friday, the left has combusted, particularly unhinged women who see this as their doom.
Fans of Chelsea Handler and Michelle Wolf should rejoice. While Netflix had the good sense to cancel those shows, Hulu’s I Love You, America with Sarah Silverman has somehow returned despite a horrible, terrible, no-good, very bad first season. For a show that claims to “love” America, it sure hates a good part of it.
Thursday night marks the premiere of Michael Moore’s new conspiracy-peddling, anti-Trump documentary, Fahrenheit 11/9. Hours before his big debut, Moore took to Twitter to wrap up all the lefty news narratives into one lame-brain conspiracy theory centered on “evil genius” President Donald Trump.
On Tuesday's MSNBC Live, fill-in host Chris Jansing displayed the latest example of liberal journalists picking up on misleading polling on how much Americans support abortion, as she spoke with a group of pro-life activists who are lobbying Missouri Democratic Senator Claire McCaskill to vote to confirm Judge Brett Kavanaugh to the U.S. Supreme Court.
Last Friday’s cancellation of Netflix’s new late-night series, The Break with Michelle Wolf, should be a clear indicator that the left’s outrage and anger towards conservatives isn’t doing much for cultural enrichment, much less carving out a compelling comedic platform.
In light of new conservative Supreme Court nominations, the left has been in abject fear over any possible restriction on abortion, and has been lashing out. Their new target is the Hollywood production of Roe v. Wade. And although director Nick Loeb has remained adamant that things are going smoothly and that he has been maintaining the cast and production levels he had originally planned to have, the scathing “fake news” reports have been circling his project.
On Thursday, Pope Francis amended an element of Catholic doctrine that governed the church’s view of the death penalty. It went from being a punishment reserved for the most stringent of circumstances to not being permissible at all. Of course, the liberal media were eager to seize on the change to browbeat pro-life conservatives for not being pro-life enough if they supported the way it was. CNN’s Chris Cuomo did exactly that during that night’s Prime Time.