The Simpsons took a refreshingly sensible approach, mocking feminism in season 30 episode 18 titled, “Bart vs. Itchy & Scratchy” which aired on Sunday night.



Liberals are that strange species that supports abortion on demand and yet in their strongholds,  like the District of Columbia, they hire inspectors to fine restaurants hundreds of dollars for offering their customers plastic straws. It’s not surprising that television shows don’t base entire plots on the “Straw Cops.” But they do insert plots that promote the feminist “empowerment” of abortion.



New York Times reporter Penelope Green filed an ostensible news story that read more like an earnest undergraduate paper (full of lines sure to mortify when read later) celebrating “second-wave” feminist Carol Gilligan: “Healing a Rupture That Spawns Patriarchy -- Carol Gilligan talks about male privilege, women’s silence, listening and lifting new voices.” Green's "news" story sounds more like an embarrassingly overwritten undergrad paper: "Incidentally, the “cleaning house” that Ms. Kondo teaches is exactly what many want to do with the patriarchy."



An issue frequently pushed by leftist feminists is that of the myth of gender-based pay inequity between men and women doing the same jobs in the same industries. The issue is promoted to a young adult audience on Freeform’s Good Trouble as Mariana struggles to adjust to her job in the high-tech industry. The episode airing March 19, titled "Less Than," even moves into playing the race card.



Never one to shy away from owning the libs, singer/songwriter Joy Villa turned heads at another red carpet with a new provocative style ensemble. At the premiere for pro-life/anti-Planned Parenthood movie Unplanned, Villa sported a hot pink latex dress emblazoned with the words “F*ck Planned Parenthood.”

 


Both Singer/songwriter Katy Perry and Clarence Thomas’ accuser Anita Hill will be honored at yet another political awards show next month. The idea of the this probably gets people wondering: “For what? Being fraudulent political hacks?”

 


In the Hulu original series released March 15 and aptly titled Shrill, for how annoying it is, Saturday Night Live’s Aidy Bryant plays Annie, an overweight journalist who is trying to be more in touch with herself and find a healthy amount of self-esteem in her life to deal with her job, her parents, and her relationships.



It pays to have the right “troll” enemies: The New York Times has three times of late come to the rescue of poor, persecuted Marvel Studios, the capitalist Hollywood behemoth getting by on several billion dollars of box office returns. First up: Defending Guardians of the Galaxy director James Gunn after he was fired for having made pedophilia jokes. Perhaps the identity of Gunn’s enemies, right-wing Trump-supporting provocateurs, made Hollywood reporter Brooks Barnes take the pro-Gunn side. Another piece: “Trolls Tried to Sink ‘Captain Marvel.’ She Triumphed. -- Those who targeted the new superhero film were, in part, incited by comments made by its star, Brie Larson, who called it a ‘big feminist movie.’”



They say Catholics and Jews specialize in guilt, but that may be nothing compared to the orthodoxy of the Hollywood Left. On “International Women’s Day,” Will & Grace star Debra Messing thought the best way to celebrate was to post on Instagram a picture of cupcakes with images of vaginas, some with apparent piercings, some with chocolate sprinkles that suggested pubic hair. This was a grave offense....to the "unique and powerful women who don't have a vagina."



Reporter Cara Buckley admired the movie review aggregating website Rotten Tomatoes for riding to the rescue of outspoken feminist actress Brie Larson, star of the latest Marvel Studios comic-book hero mega-hit Captain Marvel, in the New York Times Thursday: “When She Became The Target, The Rules Changed -- After attacks on ‘Captain Marvel’ and Brie Larson, Rotten Tomatoes altered its audience participation parameters.” It's an amusing example of how avidly the ostensibly anti-capitalist left will defend a multi-billion dollar capitalist enterprise (Marvel Studios and its ongoing myriad-film superhero saga) when the right (“troll”) enemies are lined up on the other side.



If Hollywood’s #MeToo maxim “believe all victims” is to be held as some universal moral standard, then Johnny Depp’s side of the story must be given some serious credence as well. The actor has endured two years of media attacks over allegations of domestic abuse from ex-wife Amber Heard, however new evidence has surfaced that might indicate that Depp has been the abuse victim all along.



Entertainment media continue to wage war on President Donald Trump and conservatives, with major networks, cable TV, and streaming services hurling insults and ignorant opinions at every opportunity. In February alone, at least 40 separate entertainment programs attacked conservative values and/or President Donald Trump while promoting a hardcore progressive agenda.