The front of the New York Times Sunday Review was dominated by a graphic of an Escher-type staircase under the headline “Why Women Aren’t C.E.O.’s -- According to the women who almost were.” If you think you know where the story is going...you’re right. It begins and ends with sour grapes from Susan Chira on how sexism foiled Hillary Clinton’s presidential hopes. The paper spent the general election contest, from debate coverage to the arts pages, suggesting a vote for anyone other than Hillary Clinton was sexism, while showing no concern over the idea of women voting for Hillary solely because she was a woman.


The Women's March movement has received fawning and forgiving establishment press attention, particularly from the Associated Press and New York Times, since its first official event the day after President Donald Trump's inauguration. Now the movement appears to be (or at least should be) self-immolating for several reasons, most recently its unapologetic support for a 1970s convicted cop killer. That controversy has even pulled in the Black Lives Matter movement, which has also received consistent and undeserved favorable press treatment, also exposing BLM once again as consistently, violently radical. Now the AP and the Times aren't covering either group's direct association with this controversy.


NBC’s The Carmichael Show is a show that, while leaning liberal, still manages to crack jokes at the crazier left-wing antics (which seem to be happening more often recently). If you need any more proof, just know that this episode managed to work in the Women’s March with only minimum eye-rollage and a few laughs along the way.


Freeform’s The Bold Type, which is dubbed a teen drama and centers around three young women who work at Scarlet magazine (which is based on Cosmopolitan magazine) has pretty much covered anything and everything related to sex and beaten us over the head with it in every episode so far. So, what’s left on the leftist Hollywood agenda? Abortion, of course.


Jessica Lange, star of FX’s Feud: Bette and Joan, told The Hollywood Reporter Americans currently live in history’s most misogynist era. Ah, the invincible ignorance of spoiled, self-important liberal celebrities!

 

The New York Times Sunday Review really outdid itself, with contributing opinion writer Michelle Goldberg smearing the pro-life movement while fiercely defending Planned Parenthood from phantom foes: The headline and text box were grimly amusing in a hypocritical way: “A Playboy President and Women’s Health -- Trump has already made a grab for abortion rights. What next?”


Friday, July 14 was the 228th anniversary of the storming of the Bastille prison in France in 1789. Bastille Day is a national holiday in France. NBC News noted the anniversary in a tweet. Longtime network correspondent Andrea Mitchell provided the comic relief in a tweeted Saturday evening reply, claiming that Friday marked "the 100th anniversary of US entering WWII."


Beyonce recently posted a photo on her Instagram page of her holding her new twins – a boy named Sir and a girl named Rumi – in a similar veil-and-a-bikini getup to how she posed when she was still pregnant. The Left finds this imagery pregnant with political and religious messages. The Washington Post published an overwrought analysis by Katie Edwards, working for the University of Sheffield’s Institute for Interdisciplinary Biblical Studies in England.

The Post tweet promised a look at “How Beyoncé’s Virgin Mary imagery challenges racist, religious and sexual stereotypes: Her re-appropriation of Virgin Mary iconography offers a biting critique.”


Entertainment Weekly magazine, once known for its pop culture reviews, now more for its feminist grandstanding, stuffed its summer double issue of July 21/28 with bits and bobs of chic liberal activism, particularly of the feminist variety. The News & Notes section was particularly political: “Gal Gadot’s Wonder Woman is the hero we deserve and the hero we need -- a fearless female walking tall through a literal No Man’s Land, a symbol of resilience in an era of so many sexist talking heads and internet trolls.”


Every now and then, there comes a show that is so full of offensive material that you don’t even know where to start. Enter Freeform’s The Bold Type.


The latest season of Netflix’s Canadian teen drama, Degrassi: Next Class, perfectly captures the left’s social agenda for 2017. The show’s 4th season, which was released July 7, features a character to represent every social issue liberals obsess over. More than half of the characters on the show are queer and/or non-monogamous, and the liberal propaganda in the show ranges from Syrian refugees (one of whom is a lesbian), to a gender non-conforming girl, to lesbian prom queens, to three students participating in a polyamorous relationship.


As Saturday's CNN Newsroom with Fredricka Whitfield devoted a segment to the issue of women becoming more politically active after Donald Trump became President, CNN's Jodi Enda never applied a "liberal" label to the left-wing causes supported by recent women protesters even as she asserted that the current Congress is "quite conservative."