Leave it to conservative talk radio host Rush Limbaugh to make the best observation yet about the phony scandal surrounding a rodeo clown wearing a Barack Obama mask this weekend.

On his radio show Wednesday, Limbaugh marvelously said, "This is no different than those countries reacting freakishly when there were cartoons of the prophet Mohammed" (video follows courtesy Daily Rushbo with transcript and absolutely no need for additional commentary):

Occupy violence erupted in Los Angeles on Thursday with protesters using slogans such as "Kill the cops." NBC skipped the story on Friday's Today. CBS This Morning and ABC's Good Morning America offered a combined 31 seconds.

GMA news reader Amy Robach explained that police had to break up a crowd of "200 angry protesters." She briefly added, "It started when Occupy L.A. activists joined a street art event and then taunted police by drawing chalk pigs and slogans like 'Kill the cops.'" One police officer was injured and a dozen people were arrested. CBS This Morning offered even less information, allowing a mere seven seconds out of two hours.

A new course on Islam designed for journalists tries to minimize the impact and importance of “jihad” by comparing it to the number of murders in America each year. That same course claims “right-wing activists” tried to tie American Muslims to terrorism and doesn’t mention examples of Islamic attacks on press freedom.

That’s the way a prominent news organization is teaching journalists in a three-hour online course. The Poynter News University, part of the Poynter Institute, launched the free course “Covering Islam in America” to guide the media on their coverage of Muslim communities.

In the wake of the largest security breach in U.S. military history, the mainstream media have struggled to report all the facts about Bradley Manning, the Iraq war soldier in the middle of the Wikileaks scandal. In an effort to pursue political correctness over truthful journalism, ABC, CBS and NBC ignored uncomfortable facts about Manning's sexual orientation and history of "emotional fragility," choosing instead to describe him as an "outcast who tried desperately to fit in."

(Video below fold.)

On April 21, 2010, Comedy Central aired episode “201” of South Park. The previous episode, “200,” which was a celebration of their 200th episode, sparked controversy from a radical fringe Muslim group who threatened violence on the show’s creators because of their use of the character Muhammed.

The curator elites at the Smithsonian’s National Portrait Gallery were happily abusing the trust of the American taxpayer, with radical gay activists pushing a gay agenda, replete with the religiously bigoted, sadomasochistic and homoerotic fare, all under the auspices of “art.” Then something happened. The public complained. Now these radicals are shocked – shocked! – that the “censors” are out to destroy their “artistic freedom.”

It’s like a bad rendition of “Groundhog Day.” How many times must we relive this foolishness?

The sponsors tell us that “Hide/Seek” is “the first major exhibition to examine the influence of gay and lesbian artists in creating modern American portraiture," and how these gay and lesbian artists have made “essential contributions to both the art of portraiture and to the creation of modern American culture."

But that isn’t enough. Theirs is a political message as part of a political agenda. To quote from their program, they want to strike a blow for “the struggle for justice, so that people and groups can claim their full inheritance in America’s promise of equality, inclusion, and social dignity.”

Greg Gutfeld on Saturday took on Dylan Ratigan and Ted Rall for advocating a violent revolution on the former's television program last Monday.

Giving the closing comment on "Fox News Watch," the "Red Eye" host also pointed out the delicious irony in a cartoonist "calling for a government overthrow with guns and violence on a network, MSNBC, that accused Tea Partiers of the same" (video follows with transcript and commentary):

As NewsBusters reported last Sunday, the Washington Post earlier this month pulled a cartoon from its paper due to a reference to the prophet Mohammed.

With this in mind, "Red Eye" host Greg Gutfeld appeared on "Fox News Watch" Saturday to ask, "Why is it that the media keeps reminding us that we shouldn’t exaggerate the threat of a small group of radicals, but then completely changes tact when it comes to their own personal safety?" (video follows with transcript and commentary):

MohammedDaggerThe Islamists mean to censor us one way or another: if not from fear of retaliation, then by retaliation. Shut your mouth, still your pens, stop thinking, or we will do it for you. Permanently.

Molly Norris, mild-mannered cartoonist, started a fire she cannot put out. As Rick Santelli’s “rant” on TV from the floor of the Chicago Board of Trade fueled the Tea Party, Norris inspired thousands revolt against Islam. In a desiderative whim, she drew innocuous, refrigerator-door magnet caliber pictures which she claimed were images of

Mohammad: a spool of thread, a teacup, a spoon, and other mundane things. Overall, they looked more like idle doodles than passionate expressions of the freedom of speech. She posted them in protest of Viacom’s Comedy Central forbidding its cartoon show, “South Park,“ to depict Mohammad in a bear suit.

It shouldn't surprise anyone that Viacom's Comedy Central is developing an animated show practically designed to offend Christians. But the network's handling of recent controversy over depictions of the Muslim prophet Muhammad illustrates a stark double standard in how the entertainment media deal with issues of religion.

Comedy Central announced it is developing the script for an animated show tentatively titled "JC." According to the network's release, the show is about Jesus Christ "wanting to escape his father's enormous shadow to live life in [New York City] as a regular guy." The announcement described God as "all-powerful yet apathetic" and said the show would be a "playful take on religion and society with a sprinkle of dumb."

The show promises to stand in sharp contrast to the network's treatment of another religious figure: Muhammad. In 2006, Comedy Central censored a segment of "South Park" that depicted Muhammad. In April of this year, the network added audio bleeps to the second of a two-part episode to cover any mention of the prophet, as well as an end-of-show speech about freedom of expression and giving in to intimidation. The first episode of the story arc featured Mohammad hidden inside a moving truck and a bear costume.

This censorship came in response to a threat from a radical Islamic website, based in the United States, which warned that "South Park" creators would face violent retribution for "insulting" Muhammad by featuring (although not showing him) on the episode.


There are some review snippets that likely won’t end up as movie poster taglines:

“an affront to Muslims” – USA Today

“breathtaking cultural insensitivity” – Washington Post

“cinematic Viagra for Western cultural imperialists”- Salon.com

Of all the criticisms that could likely be launched against Warner Bros.’ new “Sex and the City 2” movie, the media have latched onto the film’s reported depictions of misogynist policies in Muslim nations.

It was USA Today that called the movie “an affront to Muslims.” Reviewer Claudia Puig wrote that director Michael Patrick King “is out of his league attempting to comment on the inequitable treatment of Muslim women. He ends up mocking religious beliefs and making Carrie and her friends appear insensitive.”

Around the same time they were caving in to pressure to delete all Mohammed references from an episode of "South Park," the geniuses at Comedy Central posted an online video game containing truly staggering anti-Semitic images.

This abomination was originally called "I.S.R.A.E.L. Attack!" due to the lead character being a murderous robot named "I.S.R.A.E.L." -- "Intelligent Smart Robot Animation Eraser."

As the game opens, the villain says, "You lied to me, Jew Producer" (video follows with lots of commentary, h/t Weasel Zippers):