Culture

Infamous pro-abortion activist Lena Dunham is back on television with her new romcom Too Much (streaming on Netflix) and, unsurprisingly, the series is basically a not-so-subtle ad for abortion. In fact, Dunham openly admitted to consulting with abortion giant Planned Parenthood on the show and told The Hollywood Reporter (THR) she’s on a mission to “normalize” abortion.

Apple TV+’s Smoke, a gripping new procedural drama, currently ranks third on the platform for good reason. Stellar acting, sharp directing, and shocking twists hook viewers, making it a compelling watch. But, as with most Hollywood shows, it comes with a price. In this case, it’s tired anti-white male tropes.

In a three-hour long interview, laden with profanity, Hunter Biden had a breakdown that you can expect of a narcissistic druggie. 

Prime Video’s We Were Liars, adapted from E. Lockhart’s novel, has been trending in the top 5 on the platform. Its gripping plot and emotional twist deliver, but the “rich, white people bad” narrative sours the experience.

Whom, exactly, is NPR serving when they broadcast mothers murdering their pre-born children?

It used to be the case that most Americans on all sides of the aisle generally held the same goal, but merely believed in different ways to achieve it. That has changed. 

There was a time when pro-abortion activists claimed to want abortion to be “rare.” Now, Hollywood starlet Cynthia Nixon sported a “Make Abortion Great Again” hat, as though ending unborn lives by the tens of millions was ever “great” or something to be celebrated. And singer Lily Allen giggled about not being able to remember how many abortions she’s had. Times have certainly changed.

Hulu’s Nine Perfect Strangers ended its second season with the episode “Never Change,” on Wednesday, revealing the secret connection the guests’ have at alternative therapy pioneer Masha’s (Nicole Kidman) psychedelic Alpine wellness retreat. The finale delivers a pointed anti-capitalist message by casting billionaire David Sharpe (Mark Strong) as the ultimate villain.

Bob Vylan, a professional grunter, regurgitated the same Marxist battle cry recycled by every radically chic "rebel" seeking praise for marching in lockstep with every other conventional "rebel."

In yet another desperate attempt to stay relevant in Hollywood’s “woke” propaganda wars, HBO’s Sex and the City reboot And Just Like That has been giving pedo-friendly vibes (again) in its latest episodes by sexualizing a minor child character in a storyline that caters to the LGBTQ+ cause de jour- polyamory.

Re-defining reality to mean its opposite is what our self-appointed intergovernmental overlords do best, after all. 

Leave it to the abortion army to enforce their pro-death ideology by threatening to murder anyone who disagrees with them. 

Notice how our wannabe cultural overlords always march out the most intentionally obnoxious eyesores they can find to dominate every setting imaginable.

“Rights,” according to our leftist media, mean the “right” to force everyone else into affirming their rejection of reality.