New York Times opinion columnist Farhad Manjoo mounted a silly defense for BuzzFeed, which recently cut staff, in “Media Layoffs As Democratic Emergency.” The column’s text box: “Last week’s job cuts suggest a reason for panic.” Panic? He’s worried about the decline and fall of that vital democratic-building journalistic titan -- BuzzFeed? "It’s the site that gave us The Dress and published The Dossier, a company that pushed the rest of the industry to regard the digital world with seriousness and rigor."
The New York Times can’t stop slobbering over 13th, a Black Lives Matter-style documentary by activist Ava DuVernay that takes a conspiratorial left-wing view equating prison labor as black slavery. Hard-left controversialist Van Jones and Castro-loving Communist Angela Davis feature in the flick, though NYT’s Cara Buckley doesn’t bring those names up in her press-release style laudatory interview with DuVernay for Thursday’s Arts section. She simply provided more glowing publicity in the ridiculously headlined “Examining Modern Slavery In America.”
Wednesday afternoon, Huffington Post's Sam Stein, whose track record of fundamentally dishonest reporting and refusing to admit the obvious even when caught red-handed goes back at least six years, used a tweet to promote an excuse even a six year-old wouldn't dare try to use on his or her parents.
Behold Stein's tweet, which, modified to defend the indefensible in the Obama administration, essentially goes like this: "See, Chris told his parents that the dog ate his homework. Doesn't that help prove that our dog might really have eaten my homework?" But instead of a dog, it's the big, bad IT monster which crashes computer hard drives (HT Twitchy):
The man whose last controversial movie was "Bully" certainly knows how to behave like one. Just ask New York Post film critic Kyle Smith, who dared to give a thumbs-down to Hollywood bigwig Harvey Weinstein's latest anti-Catholic attack film, "Philomena," carefully timed for release during the Christmas season.
Weinstein took out an full-page color attack ad in The New York Times singling out Smith for abuse. It got his attention. "I've never been flogged in the public square, but now I have a rough idea what it's like."
Kudos to New York Post film critic Kyle Smith for knowing a bigoted attack when he sees one.
Philomena is a dreary new movie starring Judi Dench as an elderly Irish woman who as an unwed teen gave birth to a son in 1950s Ireland. Under the care of Catholic nuns, the young boy was adopted by Americans. Many decades later, the woman now embarks on a trip to the States with a dour and depressing journalist (played by Steve Coogan, also a writer of the film) in search of her long-lost son, now a grown man.
The Post entitled Smith's review, "'Philomena' another hateful and boring attack on Catholics," and here is how Smith begins his piece:
....when his search for phantom weapons of mass destruction has led him to uncover a web of lies, spin and ideological wish-fulfillment, Miller expands on the point. “The reasons we go to war always matter,” he says, throwing in an expletive to make sure his meaning is clear. “They always matter.”Scott saw “a hidden history of manipulation and double-dealing” in the real-lifeMiller’s words put him at odds with some of his comrades and with a military culture that discourages service members from questioning whatever mission they are charged with carrying out. But this dutiful, serious officer is also offering a pointed, if implicit, critique of a lot of other recent war movies that have carefully pushed political questions to one side in their intensive focus on the perils and pressures of combat.