Entertainment Weekly magazine, once known for its pop culture reviews, now more for its feminist grandstanding, stuffed its summer double issue of July 21/28 with bits and bobs of chic liberal activism, particularly of the feminist variety. The News & Notes section was particularly political: “Gal Gadot’s Wonder Woman is the hero we deserve and the hero we need -- a fearless female walking tall through a literal No Man’s Land, a symbol of resilience in an era of so many sexist talking heads and internet trolls.”
Handmaid’s Tale protests are becoming more and more prevalent around the world – and the liberal media are loving it. Advocating so-called “women’s rights,” these protesters declare defunding Planned Parenthood is the equivalent of Margaret Atwood’s 1980’s dystopian novel The Handmaid’s Tale. The novel – now a media-beloved Hulu show – occurs in a dystopian, misogynist world in which women are valued only for their fertility and are forced to bear children for the upper class.
Television critic James Poniewozik was featured on the front of the New York Times Arts section on Tuesday with another look by the paper at the “newly relevant” Hulu version of the feminist dystopian novel “The Handmaid’s Tale.” The Trump-baiting headline: "Making Dystopia Fresh Again -- Drawing on an Atwood novel that feels newly relevant." And another bogus lefty reference to current events is snuck in: Offred is a captive. Nevertheless, she persists...."
Is there any more the media can do to promote a new Hulu show, The Handmaid’s Tale, as an ominous parallel to the Donald Trump administration? Yes, apparently: A feature on the front of next Sunday’s New York Times Arts section, yet again promoting the show, based on the dystopian feminist novel by Margaret Atwood, which drops on Hulu April 26. Katrina Onstad, a Canadian journalist and movie critic, filed from the fraught set in Toronto earlier this year, after the trauma and travesty of Trump’s victory.
Hysterical liberals are rushing to buy dystopian novels like 1984 and The Handmaid's Tale, regarding them as playbooks for the new Trump administration, and the New York Times is eagerly validating their fears: "...in recent months, [Handmaid's Tale author Margaret] Atwood has been hearing from anxious readers who see eerie parallels between the novel’s oppressive society and the current Republican administration’s policy goals of curtailing reproductive rights." But the NYT skipped a vital alternate reason why Handmaid is selling more of late: It's coming to Hulu this year.
Lefty author Margaret Atwood has created, in the form of a novel, the environmentalist's bible. "The Year of the Flood", as it is titled, is not merely a figurative bible for a dispersed and sporadic collection of greenies, but rather a sacred testament (the author says as much) for a movement that, every day, looks more like a church--complete with sin, salvation, and saints (one of whom is--you guessed it--Al Gore).
In an interview with Atwood, National Public Radio's Steve Inskeep described "The Year of the Flood" as gloriously melding science and religion into a harmonious enviro-theology. Atwood "thinks that in the future we could see a religion that combines religion and science," Inskeep states.
But the more the listener learns about Atwood's novel, the more he or she realizes that the book does not meld science and religion. Rather, it does away with religion and replaces it with radical environmentalism. Here is an excerpt from the NPR interview (h/t CATO's David Boaz):