If there’s one thing to admire about Hillary Clinton, it’s her persistence. She persistently fails. She and Bill bombed their recent speaking tour. She failed both times she ran for president (when both times the DNC poised her to win) and she failed as Secretary of State. Now she wants to fail as a Hollywood producer. According to Bloomberg, Hillary Clinton and her media groomed daughter Chelsea plan to start a film and TV production company. Apparently, CNN (Clinton News Network) isn’t enough.
A combination of summer heat and abortion legislation has brewed a liberal meltdown as the University of Alabama now risks losing its largest donor. According to a report by Florida Politics, University of Alabama donor Hugh Culverhouse Jr. wants everyone to boycott Alabama’s state institutions, including the University of Alabama, in response to the abortion bill signed by Alabama Governor Kay Ivey.
Disney CEO Bob Iger has weighed in on Georgia’s “Heartbeat Bill,” threatening to pull the company’s film productions from the state if Governor Kemp’s Bill goes into law. It just goes to show that no matter how many theme parks Disney creates or beloved childhood franchises it churns out, its true calling is maximizing stock price, innocent babies be damned. Oh, the irony!
The Hollywood bandwagon against pro-life initiatives piles on more bodies as Netflix throws itself into the mix. Cluelessly shouting, “Wait, me too!” Netflix’s chief content officer Ted Sarandos threatened to pull productions out of Georgia in a statement made to Variety, following the oh-so-stunning and brave examples of David Simon, Kristin Wiig, and Busy Phillips.
Netflix’s The Society is the streaming site’s latest foray into misguided teen drama. Between shows like Chilling Adventures of Sabrina, Insatiable, and 13 Reasons Why, it’s safe to say that Netflix has no standards for teen viewers. While The Society is thankfully less gruesome, it sadly falls in line with the other dreadful examples in terms of language, sex, and politics.
April has come and gone with no shortage of absolute hatred and contempt from media progressives. Entertainment programming from major networks, cable TV and popular streaming services have delivered another 40 deranged anti-Trump/conservative scenes for impressionable viewers, providing God-fearing viewers another valid reason to grab those torches and pitchforks. Much of this month’s material is simply monstrous.
Well, we finally have the opportunity to see what the Obamas have up their media mogul sleeves. After announcing a multi-million dollar Netflix deal, the former first couple have spilled the beans on their new streaming content, offering diehard Obama fans several options for clinging to the “Hope” and “Change” social justice dream from the comfort of their living rooms.
In this day and age, parents have to be extra cautious about what their kids watch as not all cartoons are actually kid appropriate. Fortunately, there are some innocent shows out there, but then there are shows that aren’t as innocent as they seem. One such show, She-Ra and the Princesses of Power, proved to fall in the latter category when their second season debuted on Netflix on April 26.
In the era of feminism and #MeToo, Netflix’s newest short form show Bonding paints masculinity as constricting, states that if men got their periods then abortions would be everywhere and claims that only Republicans want to keep bathrooms separated by gender. And that’s just the beginning.
Post-apocalyptic movies have plenty in common. The survivors feast on dwindling food supplies. Basic necessities like clean water, medicine and electricity are suddenly in short supply. And the force that caused the disaster, be it man-made or technologically driven, isn’t the only thing to fear.
The holiest time of the year doesn't provide a break for Christians from Hollywood's anti-religious bias on TV. If anything, it makes it worse.
Netflix’s No Good Nick tells the story of Nick (Siena Agudong) who catfishes an unsuspecting family, the Thompsons, into thinking she’s family. Add in the Thompsons' daughter, the socially conscious Molly (Lauren Lindsey Donzis), and it gets a whole lot weirder.