Updates at bottom: 

I want my MTV! Somewhere a soldier or sailor in Iraq or Afghanistan is probably thinking that today. According to the AP, on May 14, the Department of Defense blocked “worldwide” the US troops who use its networks and computers from accessing 12 popular websites that include, YouTube, MTV, MySpace, Blackplanet and Photobucket. The Defense Deparmene which the DoD said“take up a large amount of bandwidth, and others that can open up department computers to hackers and viruses.” (emphasis mine throughout)

US Forces Korea Commander (USFK) Gen. B.B. Bell explained in a memo sent out Friday that the new policy will not impact the military's ability to send and receive email, but the “Department of Defense has a growing concern regarding our unclassified DoD Internet, known as the NIPRNET. The Commander of DoD's Joint Task Force, Global Network Operations has noted a significant increase in the use of DoD network resources tied up by individuals visiting certain recreational Internet sites.”

The AP delved into some of the issues involved:



Brent Bozell's culture column this week follows up on how the world of rap music will change in the wake of Don Imus getting canned for his rapper's language against the Rutgers women's basketball team. Russell Simmons, one of the founders of Def Jam Records, made waves by endorsing some voluntary steps toward better self-control:



The Grammy Award-winning band “Rage Against the Machine” reunited after a seven-year hiatus to perform at the Coachella Valley Music and Arts Festival in Indio, California, this weekend.

The always contoversial group took the opportunity on the occasion of their much-anticipated reunion to make some pretty vile statements about the Bush administration (video available here).

Not surprisingly, fans of the band actually set fire to American flags during the performance.

The potentially offensive remarks have been strategically placed after the break for those lacking the stomach for them as reported by The Gauntlet. Enter at your own risk:



One positive result of the Don Imus imbroglio is a renewed focus on degrading, obscene, sexist, violence-endorsing rap music. Brent Bozell's entertainment columns offer a road map for anyone seeking a refresher course on nasty rap-music controversies over the last four years. Don't miss how media people (like, oops, NBC's Matt Lauer) make excuses for rappers:

Moms vs. Hip Hop (October 20, 2006):



No matter how deplorable and terrible you think Don Imus's remarks about the Rutgers women's basketball team are, the fact is, that his statements pale in comparison to the stuff pumped out daily by the American music industry.

Michelle Malkin has a big list of the various vulgarities that are routinely tolerated by the same media that is currently up in arms about Imus. Here's just one song:

Rich Boy sellin' crack
F*k niggas wanna jack
Sh*t tight no slack
Just bought a Cadillac (Throw some D's on that b*tch!)
Just bought a Cadillac (Throw some D's on that b*tch!)
Just bought a Cadillac

This, along with Roseanne Barr's recent anti-gay remarks are yet another example of our "neutral" media's double standards.



Al and Tipper Gore just consented to an interview with Ryan Seacrest on the E! pre-Oscar festivities. (First question: Tipper's wearing Bill Blass, Al Gore reluctantly noted he's wearing Ralph Lauren.) The goofiest answer was when Seacrest asked Gore, "if you were to cast an actor to play the lead in 'The Al Gore Story,' who would you pick?" Gore quipped, "I don't know, maybe William Hung," the infamous "American Idol" reject who mangled Ricky Martin's "She Bangs." Seacrest laughed and said "I  love it, I mean, the 'Idol' reference!" When Seacrest asked if that performance was one of his favorites, he said it was "right up there," and then said "no, no, no" and insisted that his favorite song is the lesbian rocker Melissa Etheridge's song "I Need to Wake Up." Guess why? It's up for an Oscar for its inclusion in Gore's film. Lyrics, please:

And as a child
I danced like it was 1999
My dreams were wild
The promise of this new world
Would be mine
Now I am throwing off the carelessness of youth
To listen to an inconvenient truth



Apparently the Times didn't shower quite enough praise yesterday on the anti-war country (former country?) band Dixie Chicks winning 5 Grammy Awards Sunday night, because it follows up Tuesday with a "what does it mean?" article by Jeff Leeds, "Grammy Sweep by Dixie Chicks Is Seen as a Vindicatio



Their sympathetic peers in the entertainment industry awarded The Dixie Chicks five Grammys at Sunday night's awards ceremony, including Song of the Year for "Not Ready to Make Nice," the group's petulant response to critics who disapproved of singer Natalie Maines' remark onstage in London in 2003: "Just so you know, we're ashamed the president of the United States is from Texas." (Maines is from Texas.)



Newspaper cultural critics often seemed to be bringing their politics and not just their artistic senses to the table when judging the "best" products of 2006. Friday’s Weekend section of The Washington Post compiled a set of lists of the best in art, music, and movies, and some of the Post critics were dropping some liberal (and radical, even Marxist) politics into their choices. The music critics were the most political. Curt Fields had two liberal/radical Bush-hater favorites on his Best list:

7. Dixie Chicks. The trio had several quality moments, including its defiant "Not Ready to Make Nice" single and the intriguing "Shut Up & Sing" documentary. But best of all was the way the Dixie Chicks appeared onstage at some of their live shows to the strains of "Hail to the Chief."...

9. The Coup, "Pick a Bigger Weapon." This Oakland, Calif.-based act mixes revolutionary politics, humor and sweet beats. Smart and catchy, a rare double. Plus, it has the song title of the year, "Babyletshaveababybeforebushdosomethingcrazy."



Brent Bozell's culture column this week focused on two Washington Post articles from black staff writers who were moms horrified by the current state of hip-hop music and its effect on their children. Lonnae O'Neal Parker wrote broadly in "Why I Gave Up On Hip-Hop," but the other seemed very narrow-minded:

Natalie Hopkinson saw it in a different, more racially conspiratorial light. She wrote about how she reacted in horror when a middle-aged white female professor of hers said her five-year-old son Maverick was a fine boy and added, "I just can’t wait to watch him grow up and see his wonderful career as a rap star."

The horror was understandable, but the edge of paranoia creeped into the article. Hopkinson didn’t think the remark was innocent, but "confirmation" of a "conspiracy to destroy black boys," citing an author named Jawanza Kunjufu. (His book by that title is harsher. He calls it "genocide.")



Breaking in a parallel universe somewhere: NBC is set to air live footage of actor Jean Reno portraying the Islamic prophet Mohammed engaging in sex acts with another man.

In our real world, according to Matt Drudge, the network is going to be airing a "special" concert featuring over-the-hill singer Madonna Louise Veronica Ciccone (aka Madonna) singing her song "Live to Tell" while standing on a disco-style crucifix and sporting a glittery pretend crown of thorns. It's a repeat of shows she's done in Europe.

Frankly, I have to yawn at this point. There's nothing new here. If these Hollywood types had any real guts or edge, they'd do PR stunts in the style of Trey Parker and Matt Stone's "Team America." But since they and Ciccone are pseudo artists, that's not likely to happen.

Note to the professionally offended: I am not advocating ridiculing any particular religion here. Just saying what Ciccone et al. would do if they ever thought about living up their supposed ideals.



Dixie Chicks lead singer Natalie Maines spews Bush hatred in public, so it's not exactly a surprise to see her grow more unhinged in private:

The international press won't get their first look at the documentary Dixie Chicks: Shut Up and Sing until its gala premiere at the Toronto Film Festival tonight. But EW.com got an early look at the sure-to-be-controversial doc in Los Angeles and can attest that the film will continue to bring the (ex?) country trio more plaudits from progressives and further condemnation from conservatives. And if you think singer Natalie Maines had some harsh words for President Bush in public, wait till you hear what she had to say about him behind the scenes.

In one memorable scene, Maines watches news footage of the president being interviewed about the furor that followed the singer's on-stage comment that she was ''ashamed the President of the United States is from Texas,'' which resulted in the group being dropped from most radio stations, as well as protests and plummeting sales. ''The Dixie Chicks are free to speak their mind,'' Bush told Tom Brokaw at the time, adding, ''They shouldn't have their feelings hurt just because some people don't want to buy their records when they speak out. You know, freedom is a two-way street.''

After watching this footage, Maines repeats the president's comment about how the group shouldn't have their ''feelings hurt,'' incredulous, and then says, ''What a dumb f---.'' She then looks into the camera, as if addressing Bush, and reiterates, ''You're a dumb f---.''

Hat tip to Sister Toldjah who adds: "Ever notice how she tends to make these disparaging comments about the Prez. when she’s NOT in the US? What’s the matter, Natalie? Too chick(s)en to say ‘em on your home turf?"