New York Times film critics A.O. Scott and Jason Zinoman remember horror zombie master George Romero on the front of Tuesday Arts page, “Old Master of Horror -- In George Romero’s signature zombie films, the living make for their own fright show.”


Entertainment Weekly magazine, once known for its pop culture reviews, now more for its feminist grandstanding, stuffed its summer double issue of July 21/28 with bits and bobs of chic liberal activism, particularly of the feminist variety. The News & Notes section was particularly political: “Gal Gadot’s Wonder Woman is the hero we deserve and the hero we need -- a fearless female walking tall through a literal No Man’s Land, a symbol of resilience in an era of so many sexist talking heads and internet trolls.”


As previously documented, The Walt Disney Company – although continuing to have box-office hits – continues to be hurt by the collapse of its leftist Disney-ABC Television Group.  If none of their outfits continued to allow the persistent liberalism, then the whole division will be doomed, let alone cause even more problems for the entertainment conglomerate. 


In a commercial promoting an upcoming showing of the movie Olympus Has Fallen, centered around the plot of North Korean terrorists violently seizing control of the White House and holding the President of the United States hostage, cable channel TBS edited clips of the film to make it seem like fictitious national security officials were relieved and thrilled by that prospect. A not-so-subtle reference to the current occupant of the Oval Office, Donald Trump. 


That whirring sound you hear is Walt Disney spinning in his grave, or his cryogenic vault, or whatever his final resting place really is. According to Jezebel, actors “Billy Eichner and Seth Rogen have signed on to voice gay lovers Timon and Pumbaa (respectively) in Disney’s upcoming ‘live action’ remake of The Lion King, according to an exclusive report from The Wrap.”


Left-wing filmmaker Josh Fox launched his latest film, Awake, a Dream from Standing Rock, online April 22 — after it premiered at the Tribeca Film Festival.

Predictably, liberal media including Reuters, The Washington Post and The Hollywood Reporter heralded the movie and ignored inaccuracies of his earlier, biased documentaries attacking the oil and gas industry. The film was called “timely,” and “powerful.” Fox was even credited for his “deep understanding of pipelines” and for getting in the way of the indigenous people telling their story.


The Obama White House got the star treatment when they were in office, so they were all-but-guaranteed the same Hollywood treatment out of office. Universal Pictures and Anonymous Content supposedly have a “high-concept workplace comedy” in the works, a movie called From the Corner of the Oval. Set for a 2018 release, the movie will be based on a book proposal from former White House stenographer, Beck Dorey-Stein. 


USA Today’s Andrea Mandell’s email account must be burning up with panicky press releases from the National Endowment for the Arts, the National Endowment for the Humanities, and the Corporation for Public Broadcasting – each reminding her of all the “great cultural works” those agencies have brought us.


Variety film critic Owen Gleiberman sounded a little like Chris Matthews when he "felt a shiver of anticipation" at the new "Trump-timed" Steven Spielberg movie project, mythologizing The Washington Post in 1971 pushing to expose the "Pentagon Papers" to underline the "futility" of the Vietnam War, which Gleiberman proclaimed part of the "liberal catechism."

Gleiberman hoped "If there’s a new wave of movies that matter, it won’t just mean freedom-fighting media/political dramas like The Post." He complained political movies like this are seen as elite-cinema Oscar bait, not as profit-makers.


In an op-ed published in Friday’s print edition of USA Today, The Atlantic contributor and Religion News Service (RNS) columnist Jonathan Merritt lashed out at conservative Christians for opposing the so-called gay “moment” in the upcoming Beauty and the Beast remake, charging they’re coming across as “antiquated bigots” keeping people from “coexist[ing].”

 


As many readers know by now, the Disney-ABC Television Group has become unglued with its of liberal activism. Not only is ABC News grilling conservatives or Christian, the network’s prime time lineup is advocating for every far-left cause possible. This activism has also infected their cable operations, including ESPN, Freeform and Disney XD. 

 


Ok, try this: Repeat the Washington Post’s new motto, “Democracy Dies in Darkness,” without guffawing at the sophomoric self-importance. You can’t, can you? Think about that vapid aphorism perched above every thinly sourced Post hit-piece on Donald Trump, every dishonest “fact-check” and every repurposed DNC press release masquerading as “news analysis,” and try not to chuckle at the desperate plea to be taken seriously.