Sony Corporation makes some of the best consumer electronics on the market. So why is the gadget maker letting their Sony Pictures Entertainment subsidiary (through its Columbia Pictures label) go the way of the rest of mainstream Hollywood and alienate a large swath of Americans with liberal social justice propaganda, which is even inserted in their entertainment, despite ending up performing poorly at the box office? The most recent example comes in a new film version of the 70’s TV classic Charlie’s Angels.
The Top Gun sequel is set for release next June, but all is not right with Maverick. It seams the producers have bent the knee to strongman Xi Jinping in Beijing. On Twitter, Globe and Mail reporter Mark MacKinnon noted that the Top Gun: Maverick trailer features Maverick’s iconic leather jacket; however, the new rendition removed the original Japanese and Taiwanese flag patches. MacKinnon later revealed that China’s Tencent Pictures is one of the main producers of the new Top Gun which explains the change.
While you were enjoying your weekend, the identity politics wars were heating up. If you’re waking up on Monday with your head spinning, it’s probably because you’re seeing headlines about a new African American 007, Scarlett Johansson taking a modest stand against PC culture and then being forced to walk it back (while bashing white males, of course) and about the outrage mob smearing Rihanna for looking a little too ethnic in a Chinese edition of Harper’s Bazaar.
Left-wing newspapers certainly aren’t the defenders of free expression they used to be. Canada-based journalist Tracey Linderman filed a fear-mongering report for the U.K.’s Guardian newspaper Tuesday, entitled, “Activists condemn Canadian cinema chain for screening anti-abortion film: Cineplex Entertainment criticized for screening Unplanned, which is said to promote falsehoods about reproductive health.”
Well, it was bound to happen. One of the woke writers at The Washington Post found something political to nitpick about Disney’s remake of The Lion King. Rather than let everyone enjoy one of childhood’s great classics, Dan Hassler-Forest tried to burst the bubble, pointing out how it’s a “fascistic story” that “incorporates the white supremacist’s worldview.”
Proving that there’s not much point in being a lefty if there aren’t any nice conservatives to annoy, the woke bloggers of BET tried to manufacture a story saying there’s a trend of online right-wingers angry over Disney’s casting of a black woman as the new “Little Mermaid.” It would be an interesting narrative IF that was happening, however BET’s target “racists” consist of nothing more than a couple of fringe idiots without much social media influence.
Coming off a high-earning debut the first week of July, the newest Marvel blockbuster, Spiderman: Far From Home, shows that the Spidey franchise still has plenty of gas left in it. However, should the public’s affinity for the wallcrawler start to cool, series star Tom Holland broached some ideas that may inject new life. If you guessed a sexual and racial reorientation, then kudos. You’ve been paying attention.
There are plenty of winners & losers this summer when it comes to the entertainment industry. But only two winners and two losers make the cut when it comes to columns like this. And the following list features the topics that have made the cut so far this summer.
When a film crashes at the box office a curious phenomenon take place. And quickly, mind you. Hollywood news sites pounce, detailing why the film in question tanked in the first place. Insiders who might have stayed quiet had the movie thrived all of a sudden have plenty to say.
Movie criticism ain’t what it used to be. Film critics once served audiences by telling them if a movie was worth their hard-earned cash. Some critics still cling to that approach.Others use their forums to promote their ideological agendas. And, since the vast majority of film critics lean left, the results are predictably woke.
Disney CEO Bob Iger has weighed in on Georgia’s “Heartbeat Bill,” threatening to pull the company’s film productions from the state if Governor Kemp’s Bill goes into law. It just goes to show that no matter how many theme parks Disney creates or beloved childhood franchises it churns out, its true calling is maximizing stock price, innocent babies be damned. Oh, the irony!
This year’s Cannes Film Festival in France opened with a new Jim Jarmusch movie from Focus Features (owned by the reliably liberal NBC Universal) called The Dead Don’t Die, filled with in-your-face attacks on Republicans, conservatives, and people/states who vote for them. The plot is spurred by an environmental apocalypse caused by "polar fracking."