Clint Eastwood did it again with his newest film, The 15:17 to Paris. The 87-year-old icon drove liberal critics batty with his 2014 smash American Sniper. Heroism? Sacrifice? All-American values? It’s like garlic to some film critics. They’d rather swoon at films depicting the U.S. Military in an unsavory fashion.


All too often, talking about the American entertainment industry can be disheartening but especially since President Trump’s election in November 2016 with the rise of the Resistance. Here’s a recent example. As MRC Culture’s Matt Philbin reported on February 4, CBS is developing a TV series based on the life of former Attorney General Eric Holder with Holder himself serving as executive producer. 


Katherine Graham, the late publisher of The Washington Post, is legend in their newsroom. Not to mention in Hollywood, which has just turned out a glitzy tribute to Mrs. Graham, starring Meryl Streep as the publisher who, with executive editor Ben Bradlee, fought the Nixon administration over the release of the Pentagon Papers. Now the very same paper rallied against releasing the Nunes memo.


It’s no question that the liberal media love to lament that Trump’s election was armageddon and that Americans are currently living in some dystopian wasteland. In an effort to spread and cash in on this narrative, Hollywood is spending millions of dollars on another propaganda piece -- a MAGA-themed installment of the horror franchise, The Purge.


At the top of Thursday’s NBC Today, co-host Hoda Kotb sounded the alarm about a new film in the works: “Is Mel Gibson planning a sequel to his most controversial and successful movie ever?” Later in the show, fellow co-host Savannah Guthrie gave more details as she similarly warned: “What we’re learning about Mel Gibson’s plan for a sequel to his most controversial movie ever, The Passion of the Christ.”


The biggest snub from this year’s Academy Award nominations? A story in The Hollywood Reporter offers a stinging critique of Academy Award voters. The biggest snub from this year’s Academy Award nominations?
 


New York Times media reporter John Koblin took note of a media skirmish between current NBC host Megyn Kelly and “Hanoi Jane” Fonda in Business Day: “In Echo of Fox Days, Kelly Lashes Back at Fonda.” Guess who the Times goes after? Both the headline and Koblin’s text treat Kelly like the attack-dog aggressor regrettably reverting to Fox News-style form, even though Kelly clearly has Fonda dead to rights as a hypocrite regarding the star’s willingness to discuss her plastic surgery.


Conservatives constantly complain about Hollywood … often for very good reasons. The industry’s voice is almost uniformly liberal. Major stars (like Amy Schumer and Michael Shannon) talk down to Red State denizens in the ugliest ways possible. Films often mock or denigrate the U.S. Military (think Redacted for a glaring Exhibit A).


The Hollywood Foreign Press Association, which hosts the Golden Globe Awards, may have provided the rocket fuel for Oprah Winfrey for President in 2020. Her acceptance speech for their Cecil B. DeMille Award struck the perfect pose for the Hollywood establishment. They have seen themselves as the uninterrupted social conscience of America for as long as they’ve made motion pictures. That’s ridiculous.


Actress Meryl Streep appeared as guest on Jimmy Kimmel Live Monday evening, where she talked with the late-night talk show host about her new political drama, The Post, about the Washington paper’s involvement in publishing classified government documents about the Vietnam War.


In a fawning interview with the stars of The Post, on Thursday’s NBC Today, co-anchor Savannah Guthrie gushed over Hollywood’s latest love letter to the liberal media: “The movie is getting great reviews. And for something that took place 45 years ago, it feels like it could have been ripped right out of a newspaper today. Very timely.” 


Liberals love to congratulate themselves for being “on the right side of history,” while of course, consigning conservatives to the “wrong side.” But history takes its sweet time unfolding, and liberals are an impatient lot. So they like to retrofit existing history, demanding that people and events be judged according to their modern progressive pieties, and lumping conservatives in with historical villains.