Imagine being so deluded that a hellish, child-eating, serial killer clown is one of your icons because his make-up is fabulous and his theatricality hints at what you hope is a homosexual orientation. Now imagine being disappointed the horrific harlequin isn’t gay.



The “fall’s most hotly-anticipated” movie (according to host Michael Strahan and his Good Morning America co-hosts) is supposedly Hustlers, the new flick about strippers who intoxicate and steal from arrogant, rich Wall Street bros because feminism, baby.



Traditional sexual and gender norms have no relevance in pop culture anymore. We’re past the point where the rebellious phases of youth are seen as just that, and now they’re lauded as some sort of standard that older folks need to adhere to, lest they be called fascists. Though is it really that convincing that since Miley Cyrus and Kristin Stewart can’t stay with a man, “heterosexuality is just not working?”



Trouble in paradise? We all know lefty Hollywood types hate Trump, and Trump’s supporters. And conservatives. And religious people. And rural America -- okay, so they hate a lot of folks. But one group could always count on Tinsel Town’s love and money: Democrats. Bill, Hillary, Barack -- even Al Gore -- were rock stars among the power-worshipping lefties.



Did you hear about The Hunt and assume the worst from elitist lefty Hollywood? Did you watch the trailer, raise an eyebrow and say, “Wait, deplorables are the good guys!” Well, either way, you were wrong, according to the director. Craig Zobel has spoken publicly about the film for the first time since Universal shelved it in the wake of the El Paso and Dayton mass shootings, telling Variety he had intended to satirize right and left in our ongoing culture wars and use the critique as the launch point “to make a fun, action thriller.”



Sometimes, reading about stuff lefties find controversial is like observing two people argue over what the proverbial tree that fell in the forest would have sounded like if anybody had been around. It’s all rather obscure and meaningless.



The New York Times’s Cara Buckley (“a culture reporter who covers bias and equity in Hollywood”), complained Hollywood wasn’t embedding enough climate change messaging in their blockbuster movies in Saturday’s “Hollywood Sells Doom, Not Hope On Climate -- Critics say villains and dystopias obscure crisis-alleviating actions.” One suspects that the complaint that in some films “environmentalist are criminals” is the true concern: Perhaps Buckley and company are just annoyed that left-wing environmentalists sometimes feature as movie villains, as opposed to the usual villain of corporate raider or military madman?



The stand-up comic Jim Gaffigan’s new film caught him by surprise, but not for anything in the movie itself. He noticed how professional film critics treated the tale of a man fronting not one but two families. Gaffigan shared his dismay at the film’s critical reaction on the latest episode of “The Joe Rogan Experience.”



It’s hard serving two masters, especially if both of them are at each other’s throats and the one you’re more partial to is inflicting human rights violations on the one you need to keep your happy, Mickey Mouse PR appearance alive. That’s the predicament Disney is in after the star of its newest live action remake is being blasted for her support of the pro-Beijing authoritarians accused of bludgeoning pro-democratic Hong Kong protestors.



At this writing, the Chinese communist regime looks ready to crack down on protesters in Hong Kong. It remains to be seen whether the standoff ends in a Tiananmen Square-style bloodbath, but the demonstrations pose a direct challenge to the Chinese government, and Beijing will respond forcefully -- its what authoritarian regimes do.



With so many movies being made at any time, some people have come to prefer films that are not part of a huge franchise, while others look for new and different ideas. While the second choice might seem like it's always a good thing, a new film these days could contain very disturbing images or unlikable characters that can turn off the average movie fan. That’s certainly the case with a film from Universal Studios entitled The Hunt, in which the heroes are “several so-called deplorables from red states who have to fight back after several rich liberals kidnap them and try to murder them for sport.”



If you needed any more proof of how much Hollywood is obsessed with sexualizing children, look no further than this review in The Hollywood Reporter by film critic Todd McCarthy. McCarthy criticized Paramount’s theatrical release Dora and the Lost City of Gold because he felt that the child characters weren’t sexualized enough. As one blog put it, his review came off as very “pervy.”