On CBS's racially-segregated "Survivor" reality show Thursday night, an Asian man named "Cao Boi" (pronounced Cowboy) went on a rant against the Iraq war and insisted American teenagers are going to be drafted and sent to Iraq en masse -- unless you're privileged, "unless you're Mr.
Here's a shocker: Oliver Stone doesn't like President Bush or the Iraq war. More of a shock is his remark: "Terrorism is a manageable action. It can be lived with."
Is it just me or does that seem surprisingly honest for a media liberal to admit he feels this way?
Michael Moore, darling of the American left, is also a big hit in Islamic fundamentalist quarters. We already knew that Osama likes him, now, we learn that Iranian president Mahmoud Ahmadinejad is also a big fan.
Following his infamous speech to the United Nations, Ahmadinejad held a few receptions for Iranians and Iranian-Americans as well as the media. His translator while he was in this country wrote an account of Ahmadinejad's itinerary:
The following morning, Mr. Ahmadinejad held a 7:30 a.m. breakfast meeting, again at his hotel, with American academics and journalists. Earlier, he had expressed some interest in having Michael Moore attend, and although attempts were made to reach him (even by myself, since I was asked), they were unsuccessful. I was seated between Gary Sick (of Columbia University) and Jon Lee Anderson (of The New Yorker), and three hot issues were covered: nuclear power, Israel and the Holocaust.
Aaron Sorkin upped the stakes this week in "Studio 60"'s jihad against non-casual Christians. And sadly, it's probably very realistic in its portrayal of how Hollywood views large segments of the American public.
In the premiere of this show about a show, the head of "Studio 60", played by Judd Hirsch, had an "I'm mad as hell" moment on the air and was canned, because the network standards guy wouldn't let him run a skit that mocked Christians. Even though television is rife with shows that mock Christians, and has been at least since the Church Lady first appeared on "Saturday Night Live".
Breaking in a parallel universe somewhere: NBC is set to air live footage of actor Jean Reno portraying the Islamic prophet Mohammed engaging in sex acts with another man.
In our real world, according to Matt Drudge, the network is going to be airing a "special" concert featuring over-the-hill singer Madonna Louise Veronica Ciccone (aka Madonna) singing her song "Live to Tell" while standing on a disco-style crucifix and sporting a glittery pretend crown of thorns. It's a repeat of shows she's done in Europe.
Frankly, I have to yawn at this point. There's nothing new here. If these Hollywood types had any real guts or edge, they'd do PR stunts in the style of Trey Parker and Matt Stone's "Team America." But since they and Ciccone are pseudo artists, that's not likely to happen.
Note to the professionally offended: I am not advocating ridiculing any particular religion here. Just saying what Ciccone et al. would do if they ever thought about living up their supposed ideals.
"Studio 60 on the Sunset Strip" premiered on NBC tonight, and it looks like more of the same old, same old. Judd Hirsch's character, in charge of the Saturday Night Live-like show flew into a snit when the network standards and practices exec forced him to pull a skit called "Crazy Christians".
It's not often that a parody movie causes an international incident:
British comedian Sacha Baron Cohen's comic creation Borat Sagdiyev has caused so much outrage in Kazakhstan with his new movie, President George W. Bush will address the issue when he meets the Kazakh leader.
It was stunning, and yet it was eerily reminiscent of the extraordinary discipline of Team Clinton. Days before the ABC miniseries "The Path to 9/11" was to air, they determined the network fudged in its commitment to follow faithfully the facts in the 9/11 Commission report. A scene or two in the otherwise remarkable presentation was false.
Tuesday's New York Times Arts section fronts L.A.-based reporter Edward Wyatt's "More Questions of Accuracy Raised About ABC Mini-Series on 9/11 Prelude."
In 2003, the New York Times editorialized against the CBS decision to yank its personal-attack film "The Reagans" and said conservatives "helped create the Soviet-style chill embedded in the idea that we, as a nation, will not allow critical portrayals of one of our own recent leaders."