In this latest season of Hulu’s The Handmaid’s Tale, the series has been unusually spiteful towards religious people. Of course, the premise of a religious takeover of the United States forcing women into slavery was never going to be flattering, but this year has been much harsher with Christians defacing monuments and priests being called child molesters. This week, we see a retread of the old pro-choice claim that pro-lifers and religious people treat women as “vessels” for growing babies.



While you were enjoying your weekend, the identity politics wars were heating up. If you’re waking up on Monday with your head spinning, it’s probably because you’re seeing headlines about a new African American 007, Scarlett Johansson taking a modest stand against PC culture and then being forced to walk it back (while bashing white males, of course) and about the outrage mob smearing Rihanna for looking a little too ethnic in a Chinese edition of Harper’s Bazaar.



Snowfall, the FX series following a fictional depiction of the crack cocaine epidemic in the Reagan years, is back for a third season, and it certainly didn’t take too long to get something wrong. True, the entire series is based on a debunked claim that the CIA was responsible for the crack epidemic in black communities, so getting facts wrong is just second nature at this point. The latest blunder comes from the idea that black cops are basically race traitors. 



Comedian Dave Chappelle is doing a limited run of stand-up shows on Broadway, and a review of his opening night performance made the front of the New York Times Arts section on Thursday. But critic Jason Zinoman wasn’t laughing: “The Joke Is Getting Old – An unswayed Dave Chappelle defends the wealthy and mocks the marginalized.” What did Chappelle do to merit the Times’ prominent censure? He insists on telling jokes about people that Zinoman doesn’t think he should be telling jokes about -- in this case, transgenders.



Well, it was bound to happen. One of the woke writers at The Washington Post found something political to nitpick about Disney’s remake of The Lion King. Rather than let everyone enjoy one of childhood’s great classics, Dan Hassler-Forest tried to burst the bubble, pointing out how it’s a “fascistic story” that “incorporates the white supremacist’s worldview.”



On July 9, Vogue published a cover story about Ariana Grande, including an image of the artist posing sensually in her makeshift studio at her childhood home. The photo is meant to capture her “child star gone rogue” persona (à la Amanda Bynes, Britney Spears, Macaulay Culkin, Lindsay Lohan, and many others) that she has embraced. In the article, the former Nickelodeon star waved off criticism for performing sexual songs, such as hit single “Side to Side,” to 9-year-old kids. 



Back to the Future is a classic film trilogy, and actor Christopher Lloyd would love to make a fourth movie as Dr. Emmett ‘Doc’ Brown about an issue like climate change. SlashFilm senior writer Ben Pearson wrote July 7 that Lloyd told the Niagara Falls Comic Con in June he still supports the idea of a Back to the Future 4. He indicated a sequel would need to include a supposedly “universal message” such as climate change.



Into the Dark, Hulu’s monthly dark anthology show based around holidays, is mostly a mixed bag series at best. However, it has fortunately mostly kept away from politics. Unfortunately, the show takes a sudden over-dramatic turn to the left with its Fourth of July episode “Culture Shock.” Let’s just say no one’s rushing to say “God Bless America” in this show.



Proving that there’s not much point in being a lefty if there aren’t any nice conservatives to annoy, the woke bloggers of BET tried to manufacture a story saying there’s a trend of online right-wingers angry over Disney’s casting of a black woman as the new “Little Mermaid.” It would be an interesting narrative IF that was happening, however BET’s target “racists” consist of nothing more than a couple of fringe idiots without much social media influence.



Pop sweetheart Miley Cyrus’ new video for her song “Mother’s Daughter” is intended to be a new age anthem of female expression and freedom. Is it any wonder that it comes off as completely unnerving and a little hellish? Ms. Cyrus’ ode to feminism and inclusivity is a bad acid trip of strange sexuality, including blood red latex, teeth-lined female codpieces, wheelchair bound trans women, aggressive gyrating, and quotes such as “Virginity is a social construct.”



Hulu’s The Handmaid’s Tale has now gone so far left that it’s hard to make any sense of it anymore. This season’s appeals to fake refugee and child-molesting priests narratives were already bad enough, but the latest episode takes things to a new level with more bizarre anti-Christian sentiments, including a Nazi parallel. I guess nothing’s too outrageous so long as it insults a massive religion.



Well, we can’t say we weren’t warned. After the truly awful premiere of HBO’s drug-fueled, underage sex series Euphoria, star Zendaya stated as a preview for the rest of the season, “Let’s just say like, the first episode is the most mild, to be honest.” The June 23 episode “Stuntin’ Like My Daddy” proves her right with a long-awaited scene featuring more than a dozen penises.