Brent Bozell is the Founder and President of the Media Research Center
Lecturer, syndicated columnist, television commentator, debater, marketer, businessman, author, publisher and activist, L. Brent Bozell III is one of the most outspoken and effective national leaders in the conservative movement today.
Founder and president of the Media Research Center, Mr. Bozell runs the largest media watchdog organization in America. Established in 1987, the MRC has made “media bias” a household term.
He is the author of the books Collusion: How The Media Stole the 2012 Election And How to Stop Them From Doing It In 2016 (with Tim Graham), Whitewash: What the Media Won’t Tell You About Hillary Clinton, but Conservatives Will (also with Tim Graham), and Weapons of Mass Distortion: The Coming Meltdown of the Liberal Media.
He is also the publisher of CNSNews.com and chairman of ForAmerica.
Latest from Brent Bozell
Back in those ancient days when teletypes gave us the sound effects for news, the Associated Press was esteemed as the gold standard of objective news coverage. Inside a liberal media bubble, that pretense continues, but for decades now, the AP has tacked hard to port along with the rest of the media establishment. They’ll deny it, of course, because that’s what they do.
The media’s sudden explosion over a meeting last summer at Trump Tower between Donald Trump Jr. and an alleged “Kremlin-backed lawyer” (she wasn’t Kremlin-backed) has spawned a whole new feeding frenzy. Every mini-scoop gets inflated into the latest contender in the urgent liberal question “What Will Finally Get Trump Impeached?”
Are the Trump campaign's contacts with Russians "unprecedented," as Democrats charge? Liberal journalists would like everyone to forget the Clintons and the Democratic National Committee engaged in a blatant strategy to solicit illegal foreign contributions from Asian sources before the 1996 election. Their contacts included Liu Chaoying, daughter of the senior commander of Red China’s “People’s Liberation Army,” who met with President Clinton.
As much as liberals say they despise “fake news,” some of the most powerful and notorious sources of fake news in America are the leftists in Hollywood. Their “based on a real story” manglings and stranglings of history are legendary, from Oliver Stone on down.
The latest example is a new TV series that debuted July 5 on the FX cable channel called “Snowfall,” supposedly a look at the early days of the crack cocaine epidemic in Los Angeles during the Reagan years. This “history” is based on the loony conspiracy theory that the crack epidemic devouring black communities was a CIA plot to fund the Nicaraguan contra fighters. How many times must bunk be debunked?
American exceptionalism is on trial, and one man is pleading for her to regain her senses. Mark Levin’s new runaway bestseller Rediscovering Americanism somberly argues that the American experiment is over if the “tyranny of progressivism” is not defeated. The surveys showing such a dramatic decline in patriotism, especially among the young, indicate the progressives are succeeding.
Some of the most aggressive cultural propaganda today is coming from magazines for teenagers. The biggest crusade is about sex (yes, as soon as possible) and gender, where biology is completely negotiable, while incorrect or bizarre pronouns are non-negotiable. The new orthodoxy was installed when Seventeen magazine posted a video on June 26 headlined “Trans Students Explain Why Pronouns Are Important.”
When Donald Trump makes an accusation of “fake news,” we could add a number of definitions of the term. Liberal journalists hear “you write stories you know are fake.” But there are news stories that journalists earnestly put forward as “real news” that are based on a lot of suspicious methods – like quoting anonymous government officials indicting Trump in a malicious international plot to deny the “real winner” of the 2016 presidential election her prize.
This is why the media elites will ignore the latest Project Veritas sting video where CNN producer John Bonifield admits the Trump-colluded-with-Russia scandal is “mostly [BS] right now,” but CNN keeps hoping it will turn out to be an enormously damaging scandal.
The gender deconstructionists on the Left are now using PBS to push only their viewpoint. On June 19, the documentary-film series Independent Lens aired a one-hour film called Real Boy. The star, naturally, was a girl named Rachael who wants to be a boy named Bennett, and her goal in this film was “top surgery,” known in less euphemistic terms as breast amputation. The “balance” in this film was Rachael’s mother Suzy, who the gay activists at the “NBC Out” website described as “frustratingly apprehensive.”
America was stunned when Jared Loughner pulled out a gun at a Tucson supermarket parking lot in 2011 and shot Rep. Gabrielle Giffords in the head at point-blank range and killed six others. No one recalls any TV pundit wondering whether the people should root for Giffords to survive -- or anyone with the gall to imply her head wound was “self-inflicted.”
That was not the case with the shooting of House Majority Whip Steve Scalise and four others last week.
The radical leftist fanaticism of the Steve Scalise shooter has been an integral part of the news coverage, as it should be. James Hodgkinson’s ties to the Bernie Sanders campaign have been reported (if sometimes buried) by most news outlets, and the pundits are virtually universal in their belief that the socialist senator should not be held responsible.
These journalists were about a quarter of a century late to the dance. Theirs has been a decades-long exercise in hypocrisy. If an act of violence could be blamed on a Republican, or even better on a conservative, the press would do it, even if they needed to play a Kevin Bacon six-degrees-of-separation game.
Liberal media outlets like The New York Times have a political objective driving their coverage: ruin President Trump. This is why the “news” producers treated former FBI director Jim Comey’s testimony before the Senate Intelligence Committee as a Watergate Moment, a first impeachment hearing to be broadcast live on every “news” channel on television. Liberals in Washington took the day off and went to bars to celebrate the Beginning of the End. The media celebrated the celebrations.
In the wake of Kathy Griffin holding up a severed head of President Trump, it’s disturbingly obvious that murderous thoughts about our leaders are now considered by the Left to be light and humorous fare, a balm for their anxieties. Charlie Hebdo has a cover with Bristish prime minister Theresa May holding her own head. The New York Public Theater "modernized" Julius Caesar so that the tyrant who gets stabbed to death is Donald Trump.
How could Kathy Griffin think she hadn’t crossed a line with her ISIS-beheads-the-president imitation? In a sense, her ignorance is understandable. Since Donald Trump was elected, there has been no lines to cross. Anything...everything....has been acceptable. The challenge has been not to temper the outrage, but to push its limits. It was “art,” she claimed at first.
Despite a videotaped apology, she was dumped by CNN, which promoted this “comedian” for ten years as New Year’s Eve entertainment in Times Square alongside Anderson Cooper. It tells you everything you need to know about CNN that up to this point, they had found her antics acceptable.
President Trump is back from his first foreign trip, and CBS “welcomed” him back by suggesting again that he can’t possibly win a long fight with the media.
On the May 28 CBS Evening News, reporter Errol Barnett quizzed Face the Nation host John Dickerson: “Now President Trump is back to tweeting his unedited opinions this morning, telling people among other things, quote, ‘Many of the leaks coming from the White House are fabricated lies, coming from the fake news media.’ Are his supporters still buying that same excuse?”
Al Franken has a new book out humbly titled Al Franken, Giant of the Senate. On that same level of attempted humor, his author’s biography states he received “his doctorate in right-wing megalomania studies from Trump University.” Stay classy, Sen. Franken.
Sycophantic press profiles of Franken express admiration for the “former comedian” as if the satire stopped. Just two months ago, The Washington Post gushed that in the Age of Trump, “the former comedian and satirist may be having a breakout moment as a political star."
It was big news when Roger Ailes died. Everyone in his industry acknowledged that a serious, even transcendent force in American media and politics had passed away. Without Fox News over these last 20 years, the shape of American politics would be far different. A heretofore unanimously liberal media suddenly had a counter-weight, and much to their horror, this uppity network soon has surpassed all of its rivals in cable news -- combined. The era of unchallenged liberal enlightenment was over. Roger was accused of making American dumber, angrier, and more bigoted. But one critic really stretched reality past the breaking point: Monica Lewinsky.
In January, new ABC Entertainment president Channing Dungey told a Television Critics Association session in Hollywood that she wanted to retool ABC programming to include more shows for Trump-voting segments of the population: men, rural America and working-class families. “If we’re talking about diversity and inclusion, I want to make sure we’re inclusive of everyone,” she declared.
In May, she broke that campaign promise like a politician, canceling the Tim Allen sitcom “Last Man Standing,” a show appealing directly to that Trump electorate.
On May 14, CNN host Fareed Zakaria offered a fiery secular Sunday sermon declaring President Trump is a “danger to American democracy,” a man guilty of “gross violations of the customs and practices of the modern American system,” and that only the news media can “keep alive the spirit of American democracy.”
On Monday, The Washington Post offered another arrogant serving of the media’s idea of “democracy” and, for that matter, "news." They loaded up a story full of anonymous “current and former U.S. government officials” with the headline, “Trump reveals secret intelligence to Russians: Highly classified information on ISIS.”
Liberals are hailing a new Hulu series called The Handmaid's Tale, based on a loopy 1985 novel by Canadian radical feminists Margaret Atwood. In this dystopian America, America is turned into a theocracy where women have been denied all rights, including to read. Liberals call it "very timely." This is why conservatives tend to laugh when liberals rail against the scourge of “fake news.” There is no faker news than the notion that America is on the precipice of a Puritan patriarchy under Donald Trump.