By P.J. Gladnick | June 20, 2010 | 1:12 PM EDT

The Venezuelan people are forced to suffer through a marathon of Hugo Chavez appearances on their own television sets. Anything less than total adoration of the weekly host of "Aló Presidente" is severely punished. So with all this unwanted overexposure to the overbearing El Jefe, is it any wonder that Venezuelans are somewhat less than enthusiastic about shelling out their money to watch yet more homage paid to Chavez by filmmaker Oliver Stone in the form of his documentary, South of the Border? As Variety reports, the latest Stone film has turned into a complete bomb in Chavez's own economically troubled country:

Despite a PR and marketing blitz that had Oliver Stone on a whirlwind tour of Latin America, his latest documentary "South of the Border" has sunk like a rock at the Venezuelan box office.

Local observers in Venezuela have reported empty cinemas, indicating a stunning indifference to Stone's pic, a documentary about South American leaders that devotes a hefty amount of screen time to the country's President Hugo Chavez. In the 12 days after its June 4 debut, it grossed only $18,601 on 20 screens, according to Global Rentrak. Showings on mobile screens in rural areas (where Chavez has more popular support) have attracted crowds, but these screenings are free.

By Noel Sheppard | May 28, 2010 | 11:09 AM EDT

The liberal media's adoration for leftist dictators certainly knows no bounds.

Such was immediately apparent in filmmaker Oliver Stone's love letter to Venezuelan despot Hugo Chavez published by the Huffington Post Friday.

The article also shamelessly doubled as an advertisement for Stone's documentary "South of the Border." 

With this in mind, all quotes have been safely placed after the teaser to limit the gastrointestinal distress to readers that may have eaten breakfast, lunch or dinner prior to reviewing this piece (video of "South of the Border" trailer also follows with commentary):

By Anthony Kang | March 2, 2010 | 3:04 PM EST
Oliver Stone's latest attack on American capitalism - "Wall Street: Money Never Sleeps" is finally hitting theaters April 2010, twenty-three years after its predecessor. According to Michael Lewis, who interviewed the moviemaker for his latest Vanity Fair piece, Stone's biggest problem with the sequel was making a movie based on helplessly diabolical bankers, actually watchable.

Lewis wrote that Stone - an ardent left-wing ideologue, friendly acquaintance to Fidel Castro and Hugo Chavez, a moral relativist concerning Hitler and Stalin, and director of "W" and "Platoon" - felt an obligation to reverse the societal damage and unintended consequences of the first installment.

"As a vehicle of change ... the movie was a catastrophe," Lewis wrote. It apparently inspired, rather than deterred, a generation of young men to enter the field and become the next Gordon Gekko (the "diabolical money manager" played by Michael Douglas).

By Lachlan Markay | January 10, 2010 | 3:21 PM EST
There has been a substantial push lately by some of Hollywood's big names to reeducate Americans on world history. The leftist-dominated television and film industries have taken it upon themselves to promote histories of the United States and its role in the world that portrays it as an evil, occasionally colonial, always destructive force in global relations.

The latest such effort is being undertaken by director Oliver Stone, well known for his loving portrayal of Venezuela's Marxist dictator Hugo Chavez and derisive portrayal of our previous president in "W". Now Stone has set his sights on Adolf Hitler and Joseph Stalin. He plans to "liberalize" America's thinking regarding two of the 20th century's most murderous dictators by putting them "in context", whatever that means (h/t Hot Air headlines).

"We can't judge people as only bad or good," Stone said at the Television Critics Association's press tour, referring to two dictators who--unless this writer's understanding of history is not sufficiently "liberalized"--are responsible, in Hitler's case, for the extermination of 6 million Jews and 3 million others in killing camps during World War II, and in Stalin's, for the murders of 20 million individuals in Russia and Soviet-occupied Europe.
 
It seems, Stone's claims notwithstanding, that one is historically justified in classifying these two particular dictators as "bad".
By John Nolte | September 1, 2009 | 2:57 PM EDT

<p>In today’s <a href="http://www.latimes.com/entertainment/news/la-et-stone-doc1-2009sep01,0,6.... Times</a> director Oliver Stone discusses his upcoming documentary “South of the Border,” about the “warmhearted” Hugo Chavez. [emphasis added]:</p> <blockquote><p>Oliver Stone is shown warmly embracing Hugo Chávez, nibbling coca leaves with Evo Morales and gently teasing Cristina Elizabeth Fernández de Kirchner about how many pairs of shoes she owns. …</p> <p>“I think he’s an extremely dynamic and charismatic figure. He’s open and warmhearted and big, and a fascinating character,” … ”But when I go back to the States I keep hearing these horror stories about ‘dictator,’ ‘bad guy,’ ‘menace to American society.’ I think the project started as something about the American media demonizing Latin leaders.</p></blockquote> <p>Guys like Stone are forced to rationalize that the American media is right-leaning in order to avoid their head exploding due to an acute case of FacingTheTruth-itosis. But maybe the doc will be more critical than we’re led to believe in this article. During their warm embrace, it’s possible Stone whispered hard-hitting questions in Hugo’s ear about reports such as <a href="http://www.hrw.org/en/news/2008/10/09/hugo-ch-vez-versus-human-rights">t... from the not-so-conservative Human Rights Watch.</p>

By Brent Bozell | July 3, 2009 | 7:35 AM EDT

Dear Oliver,

By Brent Baker | June 27, 2009 | 2:14 AM EDT

Film producer/director Oliver Stone, a far-left promoter of conspiracies who is working on a sequel to his 1987 'Wall Street' movie, declared on Friday night's edition of HBO's Real Time with Bill Maher that “Reagan was a dumb son of a bitch” and “I really think George W is dumber” and so, after producing movies on the CIA conspiracy to murder President Kennedy and a dark look at President Nixon, he won't create a movie on Ronald Reagan because “by doing the W movie I kind of put all my efforts behind dumbness.”

Stone, who earlier in the pre-taped show made up of three one-on-one interviews Maher conducted (other two were with Cameron Diaz and Billy Bob Thornton) characterized President Obama as no better than Bush (“a sneak Bush administration with different words”), also asserted: “I do think Nixon is the father of Reagan and I think Reagan's the father of Bush. There's sort of a very strong line.” Whatever that means.

Audio: MP3 clip (55 secs, 340 Kb)

By Noel Sheppard | December 11, 2008 | 10:13 AM EST

How does a liberal, America-hating movie director follow-up a hit-piece on a sitting United States president?

With an adoring documentary about one of our nation's greatest enemies of course.

I mean, what else should Oliver Stone create as an encore for his box office failure "W" but a love letter to America-hating tyrant Hugo Chavez (as reported by Variety, h/t NBer Wilbur747, picture courtesy Variety):

By P.J. Gladnick | October 26, 2008 | 7:23 PM EDT

This is a story of hope and reality. First the hope from Bloomberg News 10 days ago with the very hopeful title of Oliver Stones' W May End Political Films' Drought:

By Rusty Weiss | October 21, 2008 | 1:29 PM EDT
Ah, the good old days. Remember way back when filmmaker Oliver Stone lamented about his even handed portrayal of George W. Bush in his disappointing new hit piece, W?

"I tried to be fair and balanced and compassionate," Stone said. "I don't take sides. I don't take political sides. I'm a dramatist, and this is the movie I've made."

Yes, that was way back on October 12th, barely a week ago.

Now however, it appears being fair and balanced means comparing the President to someone like, say, Adolf Hitler.

By Warner Todd Huston | October 21, 2008 | 3:38 AM EDT

An Arkansas TV reporter that had a bit part in Oliver Stone's movie "W" was found beaten unconscious in her Little Rock home on October 20 and in its report on the crime the Associated Press seemed to decide that she was beaten merely because she had appeared in the movie though this impression the AP seems to have is not supported by the police. One wonders why the AP decided to spend almost half its story focusing on her movie role when reporting this crime? Is the AP trying to say her connection with George W. Bush got her attacked? It sure seems like the AP is seized by another bout of Bush Derangement Syndrome with its unnecessary emphasis on this reporter's film role.

The APs obsession with the victim's movie role was odd, indeed. Even in its first few lines the AP ties KATV anchor Ann Pressly to her movie work saying in its first sentence that she "had a small part in the Bush biopic 'W.'" The AP takes pains to point out that in the movie, Pressly "speaks favorably of President Bush's 'Mission Accomplished' event on an aircraft carrier shortly after the start of the Iraq war." The report speaks about how she won the role in the film and then adds this odd sentence:

By Warner Todd Huston | October 20, 2008 | 5:41 AM EDT

W. movie Web ad | NewsBusters.orgEntertainment Weekly's Joshua Rich reported on the weekend's box office returns for the latest releases on October 19 to let us all in on Hollywood's successes and failures, because, you know, Hollywood is important and all. We find that the Chihuahua movie is still going like gangbusters ($70 million in three weeks) and the horrid movie "Max Payne" led the weekend's receipts with $18 million. Oliver Stone's slamfest "W," though, earned a disappointing fourth place on its debut weekend.

So, what was EW's excuse for this disappointing finish? According to Rich, "W" is failing at the box office because of "tough economic times.” It’s curious, though, that people have spent $70 million on the Chihuahua movie in these same "tough economic times" -- and let us not forget that the latest Batman movie has made over $300 million. Still, the excuse for the fourth place finish for Stone's pseudo-biopic is "tough economic times," just the same.

But, Rich’s excuse is a claim that even Entertainment Weekly itself has recently disputed, at least as far as the box office goes. Only a few weeks ago, the weekend that right-wing comedy "An American Carol" debuted, the same Box Office Report column said that the "economy may be tanking, but the box office remains healthy, with probably the only year-on-year metric that's seen an uptick."