Hillary Clinton has just come off the most humiliating political defeat in the memory of most Americans. Despite the unrelenting hype for her candidacy and the absolutely certainty among the mainstream media that she would win the 2016 presidential election...she lost. Unfortunately the media seems unable to quit with the Clinton hype since now they are going overboard in promoting Chelsea Clinton much to the annoyance of many. Even Vanity Fair, hardly a font of conservative views, is getting fed up with the continuous avalanche of Chelsea hype in the media.
Chris Pratt, Vanity Fair’s February cover man, is a Hollywood darling. But that’s a relatively new status for the star of Jurassic World and Passengers. In fact, Pratt—a community college dropout who made his break while waiting tables in Hawaii—is very outspoken about God’s hand in his life.
Liberals still sore over Donald Trump’s electoral victory are bashing the president-elect by any means, including through liberal media outlets.
In the latest volley, left-wing Slate and Vanity Fair both attacked Trump for how he’ll hurt the economy and Americans’ finances a day before Trump was scheduled to deliver an economic speech.
The liberal news media have been rabidly anti-Trump throughout the campaign. But that bias intensified as polling time neared.
The day before the U.S. election, Vanity Fair contributing editor Kurt Eichenwald launched a Twitterstorm of “top 129 findings from my investigation of Trump.” All but one of those tweets were negative toward the Republican presidential nominee and cited all manner of transgressions from “deception” and “lies,” to destruction of documents, business failures and claims he “cheats at golf.”
In a short video created by Vanity Fair, a suited toddler bearing resemblance to Donald Trump can be seen trashing a miniature Oval Office, fondling a Barbie doll and building a Lego wall. (Wait, I thought the mantra was: “When they go low, we go high?”)
Vanity Fair magazine just ended its third annual "New Establishment Summit" in San Francisco, a three-day conclave bringing together "titans of technology, politics, business, media and the arts for inspiring conversations on the issues and innovations shaping the future." More accurately, what the magazine's predominantly liberal readership would deem "inspiring." At least one of those conversations, between New York magazine writer Frank Rich and purported humorist/Vanity Fair contributing editor Fran Lebowitz, hardly qualifies.
In a "Fact Check" published Wednesday afternoon, the Associated Press's Thomas Beaumont insisted that Donald Trump's September 16 statement that "Hillary Clinton and her campaign of 2008 started the birther controversy," namely that then-candidate Barack Obama was not born in the United States, "is as untrue as his original lie." Some readers who don't get past Paragraph 3 might even believe that Trump started it all. And this is a "fact check"?
Beaumont's bluster appears to be in response to center-right bloggers and pundits who correctly refuse to let Hillary Clinton campaign and her gatekeepers in the press get away with revising history and ignoring new corroborating facts. To believe Beaumont, one has to believe that longtime Clinton aide and confidant Sidney Blumenthal's rumor-shopping to various members of the press doesn't matter, because he "was not officially part of the (Hillary Clinton 2008) campaign staff." What rubbish. The facts show that he was much more important to Hillary Clinton than that.
In early August, a CNN reporter tweeted an email he purportedly received from a donor to Republican Party nominee Donald Trump's presidential campaign alleging that there was no way that a donor could cancel a recurring contribution. That got the attention of several establishment press outlets and the left-biased "fact checkers" who thought they smelled smoke, but ultimately found no fire.
Several days ago, the New York Observer followed up on a documented complaint by a Minnesota woman first reported at a local TV station in early June. Claiming communications with "multiple sources," reporter Liz Corkin asserted that the Clinton campaign is "purposefully and repeatedly overcharging" small-dollar contributors "after they make what’s supposed to be a one-time small donation through her official campaign website." Establishment press interest this time? None — except to have one of the so-called "fact checkers" dismiss Corkin's contentions as "unproven."
A few days ago, Vanity Fair reported that Donald Trump is “considering creating his own media business, built on the audience that has supported him thus far in his bid to become the next president of the United States.” Jonathan Chait thinks such a venture “makes sense” since there’d be a “numerically large” ready-made audience for its fare. “Perhaps [Trump] grasps a truth the official Republican Party has refused to acknowledge: The conservative base is a subculture,” wrote Chait in a Thursday post. “It is a numerically large subculture, but a subculture nonetheless. It rejects the moral values of the larger society and wallows within its own imaginary world."
For the cover story of its February issue, Vanity Fair profiled FNC’s Kelly File host Megyn Kelly and while they charted her admirable rise to primetime, work ethic, devotion to her family, and fair interviewing skills, the liberal magazine heavily touted examples of her holding the feet of conservatives to the fire and praise from liberal journalists like Chris Matthews and Katie Couric. It made no attempt to mention her confrontations with liberals.
Each year, Christmastime is moving farther away from a celebration of peace, joy and love toward media-promoted consumerism, violence and debauchery. From movies, to music to television, many of the messages this year were far from heartwarming.
There’s no better way to celebrate Christmas than with sex, profanity and violence, right? Or so suggests one Netflix show about female prisoners.
In a new video released just in time for the holiday, the cast of Orange is the New Black created a special spoof of the classic poem “‘Twas the Night Before Christmas.” Entitled “‘Twas a Night in Litchfield,” the video includes references to the inmates having sex in the bunks, robbing and roughing up St. Nick and finding porn from Santa.