By Lynn Davidson | May 9, 2008 | 5:08 PM EDT

Entertainment WeeklyEntertainment Weekly interviewed professional conspiracy theorist and filmmaker Oliver Stone about “W,” his upcoming George W. Bush movie. Stone told EW, “I'm tired of defending the accuracy of my movies. I'm past that now.”

While he told EW “he had to speculate” about dialogue, “Stone insist[ed] that every scene in 'W' will be rooted in truth.” Instead, the movie is a hodge podge of supposed eyewitness accounts, third-hand gossip and fantastical guesswork mixed with “awkward and goofy” caricatures. EW pointed out that “some accounts” “may have come from disgruntled former staffers.”

If the left frothed over ABC's “Path to 9/11” and the media criticized “its invented scenes, fabricated dialogue and unsubstantiated accounts,” then surely they'll immediately knock Stone for these scenes that could come directly from Will Farrell's old “Saturday Night Live”  Bush skits (all bold mine):

There's a scene of 26-year-old Bush peeling his car to a stop on his parents' front lawn and drunkenly hurling insults at his father (''Thank you, Mr. Perfect. Mr. War Hero. Mr. F---ing-God-Almighty!''), while another scene set a few years later finds Bush nearly crashing a small plane while flying under the influence.

By Kristen Fyfe | May 6, 2008 | 1:18 PM EDT

“OMFG” is text-speak for the unspeakable. It's also the tag line for a new ad campaign aimed at teens and featuring a jumble of sexual situations, including teens undressing each other and two girls kissing. The campaign blitz is appearing in print and television, all aimed at drumming up eyeballs for the CW network's teen-themed soap "Gossip Girl."For the uninitiated, “OMG” translates to “Oh My God” in the language of email and text messaging. The addition of the “F” means … well, it’s the word that can cost broadcasters a hefty government fine if someone actually says it on TV. Now, of course, executives at the CW could never admit that they were actively targeting teens with such a "provocative" ad. Nor would they ever admit they were intentionally dodging an FCC fine by using the letter "F" instead of the unspeakable word. Nor would they ever consider that "F" used next to "G," which stands for "God" would be blasphemous. In fact they've gone out of their way on these subjects. But reality has a way of well, keeping it real.

By Colleen Raezler | January 22, 2008 | 2:45 PM EST

Ordinarily there wouldn't be a link between an awards ceremony and the anniversary of legally sanctioned abortion. But this was before "Juno." Today marks the 35th anniversary of Roe v. Wade, the Supreme Court case which gave women access to legal abortions. This morning the Academy Award nominees were also announced, and "Juno," a movie in which a teenage girl chooses adoption over abortion, scored nominations for Best Actress, Best Original Screenplay, Best Director and Best Picture.

By Kristen Fyfe | December 10, 2007 | 2:04 PM EST

"The Golden Compass" did not produce box-office gold during its first weekend. While ranked #1 for the weekend, the movie which opened in 3,528 theaters, was lavishly produced and promoted, only took in in $26.1 million, according to Boxofficemojo.com. Studio New Line Cinema was hoping for returns in the $30 to $40 million range."Compass" drew the ire of many Christians because the movie is based on the first book in a trilogy called "His Dark Materials" by avowed atheist Philip Pullman, who has said publicly that his books are about killing God. In "USA Today," Rolf Mittweg of New Line Cinema conceded that the "religion controversy might have had an effect."

By Colleen Raezler | December 6, 2007 | 5:08 PM EST

What will it take for film critics to be satisfied with movies about young, unmarried pregnant women? For most, a clever script and outstanding performances will suffice, but not so for Lisa Schwarzbaum, a film critic for Entertainment Weekly. It must also carry a weighty discussion on the "hard-won, precious rights" to choose. "Juno," the latest film about an unintended pregnancy carried to term, opens nationwide December 14. The movie reportedly depicts Juno, the pregnant 16-year-old lead character, deciding to place her baby for adoption after a chance encounter with a pro-life protester at an abortion clinic.Schwarzbaum said in her review of the film, "The old-school feminist in me wishes ‘Juno' spent more time, even a tart sentence or two, acknowledging that the options taken for granted by this one attractive, articulate teen are in fact hard-won, precious rights, and need to be guarded by a new-generation army of Junos and Bleekers, spreading the word by text message as well as by hamburger phone."

By Lynn Davidson | September 3, 2007 | 7:19 AM EDT

In an Entertainment Weekly interview, Jodie Foster explained her views on guns, “I don't believe that any gun should be in the hand of a thinking, feeling, breathing human being.”

She also said it is shameful” that the “unsophisticated people who see a sophisticated movie” will cheer when she goes after the bad guys who kill her fiance in her new vigilante movie “The Brave One”

(emphasis mine throughout):

ENTERTAINMENT WEEKLY: There's a rallying moment in The Brave One when you stick a gun in a bad guy's face and say, ''I want my dog back.'' How are you going to feel about the audience cheering on your character as she starts hunting people down?
JODIE FOSTER: It's shameful, but that's human and that's who we are as human beings. There will be unsophisticated people who see a sophisticated movie. Just like there were in The Accused. And thank God I only went to one screening of that movie with an audience.

By Dan Gainor | May 27, 2007 | 6:47 PM EDT

Is Michael Moore a journalist? Well, he’s certainly just as one-sided and biased as many on the network news. So I guess he qualifies in that way.One thing is certain. Moore, the director of the new anti-healthcare industry movie “Sicko,” thinks he qualifies. He said in the June 1 Entertainment Weekly that he embraces bias and one-sided story telling.

By Lynn Davidson | May 25, 2007 | 9:21 AM EDT
EW cover for last season's

Video update below- 11:52 EST:

 “Entertainment Weekly's” online site, EW.com, is usually politics-free, but not this week. Who would have thought that EW's “Lost” blogger could inject a little Bush Derangement Syndrome into a review of the show's May 23 season finale? Somehow, writer Jeff Jensen managed to find a way (spoilers ahead).  

In case you aren’t a “Lost” viewer, here’s what you need to know to help explain this article about the show's season closer entitled “Through The Looking Glass.” Ben, the leader of the Others, intercepted the retreating Losties to negotiate with their leader Jack. Three Losties stayed behind to attack the Others’ but were taken hostage in the process. Ben threatened to have them killed by their captors if Jack didn’t follow his demands. So, now that the scene is set up, here is the BDS in full glory (emphasis mine):

By Ken Shepherd | March 11, 2007 | 6:10 PM EDT

"Sometimes a cigar is just a cigar," Sigmund Freud is purported to have once said, cautioning that not everything has a deeper, hidden meaning to it. Well, sometimes a blockbuster blood-soaked action flick is just that, a blood-soaked, special effects-laden action flick.Just try telling that to cynical, left-wing European journalists.According to Entertainment Weekly, everyone from gay interest groups to foreign journalists have engaged in armchair psychoanalysis of director Zack Snyder's screen adaptation of Frank Miller's graphic novel "300.":