Thursday's New York Times delivered yet another summer-movie bummer from Manohla Dargis, the paper's most doctrinaire liberal movie critic. Dargis, previously stuck on counting the number of women in movies, is expanding her film interests to include counting old people, gays, and minorities. Yes, it's a non-stop thrill ride in "Report Finds Wide Diversity Gap Among 2014’s Top-Grossing Films."
Manohla Dargis
NYT's Manohla Dargis Offers More Summer Movie Bummer: 'Wide Diversity Gap Among 2014’s Top-Grossing Films.'
By Clay Waters | August 6, 2015 | 11:03 PM EDT 
By Clay Waters | July 5, 2015 | 7:57 AM EDT
They're at it again. New York Times movie critics A.O. Scott and Manohla Dargis once again drained the fun out of another slate of summer action flicks, smothering the popcorn with a heavy dose of stale feminist politics in "Heroines Triumph at Box Office, but Has Anything Changed in Hollywood?," their latest turgid annual summer movie diatribe against sexism in Hollywood. Liberal feminist male critic (Scott), who once called Michael Moore "a credit to the Republic," debated ultra-liberal feminist female film critic (Dargis), who celebrated "watching Charlize Theron lead a revolution against a decadent pasty patriarchy" in the new Mad Max movie, and "a rising activism or maybe newfound gutsiness in the industry that echoes the resurgent feminism we’ve seen on college campuses and elsewhere."
'Ted 2' Racist? NYT's Humorless Movie Critic Manohla Dargis Ruins Another Summer With Political Agenda
By Clay Waters | June 26, 2015 | 1:53 PM EDT For years, New York Times movie critic Manohla Dargis has ruined the summer movie season from her self-righteous, overly liberal movie review perch at the New York Times, and her pan of the raunchy, race-saturated comedy Ted 2 solemnly, self-righteously instructs her readership on what is funny and what is not: "It all depends on context, which is why some pokes in the eye are funny and others aren’t. And maybe this movie might have been funny (or at least tolerably wince-worthy) before dead black bodies again became an emblem of our national trauma."
By Brent Bozell | June 1, 2013 | 8:19 AM EDT
Stop the presses! Decadence dominated the publicity oozing out of the Cannes Film Festival in France. The festival’s highest honor, the Palme d’Or (or Golden Palm) went to “Blue Is the Warmest Color,” which drew most of its buzz from an explicit ten-minute lesbian sex scene.
This, apparently, was art, not pornography. The Cannes jury headed by Steven Spielberg took the unprecedented step of insisting that the movie’s two stars be included as Palme award recipients. New York magazine’s Vulture blog cooed these awards were the festival’s “Most Pleasant Progressive Surprise.”
Sweeping Awards for Silly Commentary, NYT Finds 'Feminine Repression' in Aprons and Obama in 'Lincoln' Film
By Clay Waters | February 25, 2013 | 1:39 PM EST In the aftermath of the Oscars, New York Times fashion reporter Eric Wilson bizarrely documented an example of "feminine repression" on the red carpet in Monday's arts section. Almost as silly was a Critics' Notebook from the painfully political movie review duo Manohla Dargis and A.O. Scott, who delivered the shocking news that Hollywood movies are less than historically reliable, while comparing Obama to President Lincoln.
More Pretentious Nonsense from NYT's Movie Critics: 'Transformer' Movies Are 'Subliminally Anti-Obama'
By Clay Waters | January 17, 2013 | 3:24 PM EST New York Times movie critics A.O. Scott and Manohla Dargis team up for next Sunday's edition (posted early online) to once again pour their peculiar brand of pretentiousness over the latest crop of innocent films: "Movies in the Age of Obama."
In the summer of 2011, Dargis lamented "the symbolic phallus" present in the form of a rifle in a Western. Last July she managed to make a villain out of President Reagan, while Scott chimed in by complaining that movie superheroes were "avatars of reaction" and that the last X-Men movie was insufficiently attentive to the civil rights movement.
By Clay Waters | July 2, 2012 | 3:52 PM EDT
New York Times movie critics Manohla Dargis and A.O. Scott held their annual joyless, ridiculously political summer movie conversation on the front of Sunday's Arts & Leisure, focusing on the glut of superhero movies: "Super-Dreams Of an Alternate World Order – The Modern Comic Book Movie Has Become a Hollywood Staple. But Exactly What Is It Selling?" Dargis managed to make a villain out of President Reagan, while Scott chimed in by complaining that movie superheroes are "avatars of reaction" and that the last X-Men movie was insufficiently attentive to the civil rights movement (really).
The reliably liberal Dargis also tried to ruin the summer movie seasons of 2008 and 2011, with lectures on "separate and unequal" roles for women in movies. On Sunday she made the same points, adding a hit on "the Reagan years" that seems there only to validate the conservative joke that liberals blame everything on Ronald Reagan.
By Clay Waters | June 14, 2011 | 2:58 PM EDT
Joyless New York Times movie critic Manohla Dargis took to the Sunday Arts & Leisure page to spoil yet another summer movie season by ranting about the alleged paucity of roles for women on film: “The Living Is Easy; The Women Are Missing.”
If you’re a woman who roared, snorted or sniggered at 'Bridesmaids,' if you like watching other women on screen, you should see it again. Because that hit comedy written by Kristen Wiig and Annie Mumolo and directed by Paul Feig, turns out to be one of the few occasions this summer when you can enjoy a movie about and with women released by a major studio. From now through August, American films will again be almost all male, almost all the time (the occasional decorative gal pal notwithstanding) as this year’s boys of summer -- the Green Lantern and Captain America, Conan the Barbarian and Conan O’Brien -- invade the multiplex, seizing media-entertainment minds and your dollars.
This is an update of the argument Dargis unleashed both on May 1 of this year and in the summer of 2008, when she slammed that year's crop of summer movies for the sin of featuring men as leads: “Iron Man, Batman, Big Angry Green Man -- to judge from the new popcorn season it seems as if Hollywood has realized that the best way to deal with its female troubles is to not have any, women, that is.”
By Clay Waters | May 13, 2011 | 2:29 PM EDT
Newt Gingrich: He’s No Mario Cuomo
"Whatever can Newt Gingrich be thinking? That’s the question a lot of political handicappers are asking now that Newt, as he is universally known in Washington, has decided to enter the 2012 campaign, with an announcement expected on Wednesday. Until recently, most of my colleagues assumed that the former speaker of the House, who flirted with running four years ago, was merely doing the same thing now, just to stay in the news. I mean, let’s be unsparing about this: Mr. Gingrich has never been elected to anything outside his old Congressional district in Georgia." – Political writer Matt Bai on former GOP House Speaker Newt Gingrich, May 11.
vs.
"If you were a kid in the Northeast during the 1980s, as I was, there is something awesome -- in the literal sense -- about sitting across a desk from Mario Cuomo, even if he now misplaces names and occasionally grasps for the point of an anecdote that has fluttered just out of reach. He was, at that time, the anti-Reagan, a powerful and resonant voice of dissent in the age of "Top Gun" and Alex P. Keaton. Cuomo, Ted Kennedy and Jesse Jackson were the three titans of the day who seemed to possess the defiance needed to rescue liberalism from obsolescence." – Bai in an April 10 Sunday Magazine profile of former New York Gov. Mario Cuomo.
By Clay Waters | May 2, 2011 | 2:15 PM EDT
New York Times movie critics Manohla Dargis and A. O. Scott spray the new crop of summer flicks with a dose of liberal guilt in Sunday’s “Gosh, Sweetie, That’s a Big Gun.” Dargis in particular just can’t be pleased with how women are portrayed by Hollywood. Three years ago she greeted the summer season with "Is There a Real Woman in This Multiplex?” On Sunday she lamented that the women on screen today are the wrong kind of women, criticizing a scene from "Meek's Cutoff" in embarrassing feminist/Freudian academic language, circa 1968: "I just don’t believe that scene where her character pulls out a rifle to protect the wagon train’s Indian prisoner -- or should I say when she takes possession of the symbolic phallus."
The introductory paragraph set the tone:
The summer season brings the usual cavalcade of testosterone-fueled action heroes, including Thor, the Green Lantern, Captain America and Conan the Barbarian. But action-movie derring-do is not always an exclusively male preserve, and in the last year some women and girls -- Evelyn Salt, Lisbeth Salander and the lingerie-clad avengers of “Sucker Punch,” among others -- have been shooting and not just clawing their way into macho territory. Is this empowerment or exploitation? Feminism or fetishism?
By Clay Waters | August 17, 2007 | 2:13 PM EDT
Reliably liberal New York Times movie critic Manohla Dargis lauded activist-actor Leonardo DiCaprio's "The 11th Hour," the latest documentary of environmental apocalypse.