Edelstein gripes in New York magazine that “the native population are portrayed as invaders of our sacred space instead of vice versa,” and that “the people [Chris] Kyle shoots always represent a ‘savage, despicable evil,’ and the physical and mental cost to other Americans just comes with the territory.”
David Edelstein
By Tim Graham | June 23, 2014 | 6:10 AM EDT
As suspected, there is no more favorable publicity outlet for an “abortion comedy” like NPR. On the June 13 Fresh Air, film critic David Edelstein loved the concept in Obvious Child.
“It shouldn't be a particularly earth-shaking turn, but in a world of rom-coms like Knocked Up and Juno, in which the heroines make the heartwarming decision to go ahead with their pregnancies, this modest little indie movie feels momentous,” he argued.
By Brad Wilmouth | October 17, 2011 | 8:55 AM EDT
As he introduced a review of the movie Margin Call about a group of corrupt characters on Wall Street, regular CBS movie reviewer David Edelstein held up a "Thanks" sign directed at Occupy Wall Street protesters as he declared that "I'm not here as a political pundit, so I can't speak to them directly," and then suggested that the protesters "deserve some R & R" and so should see the film.
Edelstein began:
CBS's David Edelstein Lauds ‘No Redeeming Social Value’ in Raunchy Film, Derides ‘Hypocritical Moralists’
By Brad Wilmouth | July 3, 2011 | 6:44 PM EDT On CBS's Sunday Morning program, as he reviewed the film Bad Teacher, starring Cameron Diaz, film critic David Edelstein applauded the raunchy film for having "no redeeming social value" as he derided "all the hypocritical moralists out there."
The film critic - who also contributes to New York magazine and NPR - recounted that Diaz’s character is "a conniving, druggy, drunken middle school instructor who’ll do anything for money to buy herself bigger boobs so she can marry rich and not have to do the job at which she’s, yes, bad," and then described himself as being "in awe" of the movie.
He then continued: "The beauty part of Bad Teacher is it has no redeeming social value. Let me clarify: With all the hypocritical moralists out there, a movie honest about having no redeeming social value has redeeming social value."
By Kyle Drennen | February 24, 2010 | 12:07 PM EST 
On CBS's Sunday Morning, movie reviewer David Edelstein heaped praised upon The Ghost Writer, the latest film by director, and indicted child rapist, Roman Polanski: "Whatever you say about this man, a victim and a victimizer, he's an artist to the end. He can conjure up on screen his inner world. However, malignant."
On CBS's Sunday Morning, movie reviewer David Edelstein heaped praised upon The Ghost Writer, the latest film by director, and indicted child rapist, Roman Polanski: "Whatever you say about this man, a victim and a victimizer, he's an artist to the end. He can conjure up on screen his inner world. However, malignant."
By Tim Graham | November 24, 2007 | 5:00 PM EST
National Public Radio's arts-and-culture show "Fresh Air" recently displayed how its leftist ideology trumps artistic judgment, especially when it comes to movies designed to get America out of Iraq before our crazed soldiers senselessly kill more civilians. Film critic David Edelstein lauded Brian De Palma's new movie "Redacted" as a "laudable artistic response to an unpopular war," even as he conceded the movie is terrible as a work of art.
Edelstein knew some people hated the exploitative display of Iraqi corpses at the film's end, noting that De Palma thinks rubbing Americans' faces with the collateral damage will get us out of Iraq: "I think most Americans are immune to those techniques, but I respect his impulse. 'Redacted' is a crude piece of work but it's the kind of outright agitprop that rarely makes it to the big screen."
Edelstein also claims the movie centered around savage rape and murder by American troops isn't anti-troops: "But it's an act of sympathy to suggest that soldiers on their third tours of duty in a place where they have no knowledge of the culture, where they can't tell who's on their side and who wants to blow them up, stand a good chance of losing both their moral compass and their minds." Here's the transcript from the November 16 review: