Saturday’s New York Times featured the paper unwittingly showing its anti-Trump tilt, with a full page "story' featuring the first 99 days of headlines from its coverage of the Trump Administration, in “(Almost) 100 Days Of Front Page Headlines About No. 45.” While the Times obviously thinks its headlines stand by themselves as some objective and reliable historical recording of the ebb and flow of the Trump Administration, in fact the word, subject, and tonal choices reveal a political double standard.
For two days running, the front page of the New York Times has delivered Democratic talking points about President Trump’s new tax cut plans. The banner over Thursday’s front page said it all, in big bold letters: “Tax Overhaul Would Aid Wealthiest.” The coverage lacked the vital context, pointed out by James Piereson in the Weekly Standard this week, that taxes have already been slashed for the poor and middle class, and it’s hard to structure a tax cut that doesn’t “favor the wealthy” in raw monetary terms.
The New York Times has an unhealthy obsession with firearms. Recently the paper came in for mockery for a signed editorial that actually attacked the National Rifle Association for featuring guns in its gun museum. On Wednesday it trustingly latched on to a dubious study showing a correlation between gun ownership and road rage killings. Christopher Mele penned “Firearms and Drivers, A Lethal Combination – Rapid Rise in Road Rage Since 2014.”
Television critic James Poniewozik was featured on the front of the New York Times Arts section on Tuesday with another look by the paper at the “newly relevant” Hulu version of the feminist dystopian novel “The Handmaid’s Tale.” The Trump-baiting headline: "Making Dystopia Fresh Again -- Drawing on an Atwood novel that feels newly relevant." And another bogus lefty reference to current events is snuck in: Offred is a captive. Nevertheless, she persists...."
The New York Times is still treating FBI Director James Comey’s decision to reopen the case of Hillary Clinton’s emails as a leading factor in her loss. But the 7,500-word lead story in Sunday’s New York Times: “In Trying to Avoid Politics, Comey Shaped an Election – Behind-the-Scenes Handling of 2 Inquiries Thrust F.B.I. Into Center of Race” also contained a hidden “bombshell” that the Times should acknowledge to defend its own journalistic integrity against Democratic criticism.
After a series of phony “hate crimes” supposedly inspired by Donald Trump’s election, the liberal media obsession with uncovering an epidemic of anti-immigrant violence in Trump’s America has died down somewhat. But on Monday, Geeta Anand reported from Mumbai that the coverage of alleged racial and ethnic attacks in the United States has had an effect -- though of course Anand blamed Trump, not her media colleagues: “For Indians, America Under Trump Is a Land of Vanished Opportunity."
New York Times Public Editor Liz Spayd is on a roll. Last week she criticized the paper’s op-ed page for its whitewash of an op-ed about a Palestinian hunger strike to protest supposedly arbitrary arrests by Israel. The paper failed to mention why contributor Marwan Barghouti was in prison: He was convicted of five counts of murder and membership in a terrorist organization. Her latest weekly column for the Sunday Review weighed how effectively the paper had burst its “hermetic bubble” in the first 100 days of the Trump administration: “New Voices, but Will They Be Heard?”
Since when does modern poetry make the front page? When it can be used to attack President Trump. The front of Saturday’s New York Times featured the breaking news that poets don’t like him. It's a convenient excuse to mainline left-wing anger straight onto the front of the paper, and proving it will leave no angle behind in its quest to denormalize the president: “American Poets, Refusing to Go Gentle, Rage Against the Right.”
Amanda Taub’s “Interpreter” piece on the upcoming election in France, in Friday’s New York Times was snottily headlined “A Small French Town Infused With Us-vs.-Them Politics.” That town, Frejus, was no doubt also infused with current events, as suggested by the Times’ own lead story on Friday: “Gunman In Paris Shoots Officer; Terrorism Seen.” Taub managed to completely ignore that issue in favor of condescending theories about France’s “us and them” ethnocentrism, making Taub’s think piece chiding the town’s punitive politics (doubtless written before the attack) look both out of date and sanctimoniously naïve.
Is there any more the media can do to promote a new Hulu show, The Handmaid’s Tale, as an ominous parallel to the Donald Trump administration? Yes, apparently: A feature on the front of next Sunday’s New York Times Arts section, yet again promoting the show, based on the dystopian feminist novel by Margaret Atwood, which drops on Hulu April 26. Katrina Onstad, a Canadian journalist and movie critic, filed from the fraught set in Toronto earlier this year, after the trauma and travesty of Trump’s victory.
Reporter Somini Sengupta continued demonstrating her strange hostility toward Nikki Haley, the U.S envoy to the United Nations, in “Trump Envoy Aims to Show That Rights Are a Priority” in Wednesday’s New York Times. The text box read: “A discussion in the Security Council draws criticism.” It’s a follow-up to Sengupta’s previously, and widely condemned, Haley-bashing and ardent defense of the United Nations, which is evidently not at all “corrupt” like Haley rudely claimed. Sengupta tried to put Haley on the backfoot from the lead in her new story.
Georgia Democrat and newly minted liberal hero Jon Ossoff may have failed to take advantage of glowing media coverage and huge out-of-state donations by falling short in a special election to fill a congressional seat, but Thursday’s New York Times front page used Ossoff’s moral victory (?) to spur national Democrats to fight in another special election, for a House seat in Montana. Inside the paper, reporter Richard Fausset hyped Ossoff optimism even after he failed to win on Tuesday.
More strange new respect for the faithful on display in Monday’s New York Times, which suddenly gets religion when it is helpful to the political left (gay marriage and abortion opponents still reliably receive the Darth Vader treatment). The front of the National section featured reporter Fernanda Santos in Yuma, Arizona on a collection of Latino ministers “Preaching Gospel of Salvation for the Colorado River.” The text box: “Pastors pack sermons with tips to save a struggling waterway.” The new devil? Climate change.
New York Times reporter Julie Hirschfeld Davis took a third bite of the chocolate Easter Egg on Tuesday, writing her third prominently featured story about the supposedly troubled White House Easter Egg hunt. (Yes, three stories, plus a video.) Her review of the Easter Sunday festivities on the South Lawn of the White House made the front of Tuesday’s National section: “Putting Aside Red vs. Blue for a Day (in Favor of Pastels) – Planned Late and Pared Back, Egg Roll Still Draws Thousands to the White House.” She took a lame metaphor for White House disarray and rolled with it.
You know it’s getting serious when the New York Times is sending its media columnist on a mission to Moscow, to find ominous parallels between the state of the Russian press, squelched and persecuted under Vladimir Putin, and the American media. Jim Rutenberg filed a 1,600-word report for Monday’s New York Times. The Times doesn’t do much these days to hide its adamant opposition and hostility to Trump, and neither did Rutenberg’s story and headline: “In Russia, a Pliant Press That Trump So Craves.” Could it happen here?
Earlier this month, New York Times Public Editor Liz Spayd criticized her paper for covering novelty stories at the expense of bread-and-butter game coverage. After talking about the tactics employed by the paper while covering the NCAA basketball tournament March Madness that focused on off-the-court stuff for a “sophisticated global audience,” a focus on international sports like soccer, and with “Groundbreaking investigative work” on problems like concussions and doping. As if to confirm similar concerns, the front of Thursday’s sports section featured the pressing matter of the Cleveland Indians baseball teams mascot Chief Wahoo, considered offensive by some activists: "Baseball Urges Indians To Phase Out Caricature."
Hollywood Reporter critic Daniel Fienberg found ominous parallels in The Handmaid’s Tale a series on Hulu that debuts its first three episodes April 26. The subhead: “Hulu's all-too-timely adaptation of Margaret Atwood's novel is one of the spring's best new shows and makes Elisabeth Moss an immediate Emmy contender.”
New York Times reporter Alan Rappeport found a wedge between President Trump and his most fervent supporters on an issue the paper is reliably left-wing on. He tried to gin up a controversy on pro-immigration and "widely respected conservative economist" Kevin Hassett, picked to lead the president’s Council of Economic Advisers: “In Pick of Pro-Immigration Economic Adviser, the President’s Base Senses Betrayal.” The hostile ideological labeling of the "widely respected" Hassett's opponents was typical of the paper’s pro-amnesty stance on immigration, with what seems a purposeful blurring of the lines between legal and illegal immigration
Next Sunday’s New York Times Sunday Magazine will feature a long essay by left-wing historian Rick Perlstein: “I Thought I Understood the American Right. Trump Proved Me Wrong.” Approach with caution, warn two prominent conservative writers. National Review's Jonah Goldberg warns: “Perlstein’s essay offers a really good insight into how the Times has jettisoned so much credibility in the age of Trump.”
Hiboko Tabuchi of the New York Times wrote a supposed news story lamenting the Trump administration’s proposed cuts to the Environmental Protection Agency. It was presented both in headline and tone as an editorial: “What’s at Stake in the Cuts Proposed for the E.P.A.” The photo selection really rubbed in the emotional aspect of the administration’s brutal (proposed) cuts: the large set of four pictures include one showing a man with a hard-hat that spells FLINT, his face downcast, holding a young girl on his shoulder, right above one of a fleet of black security cars for new EPA administrator Scott Pruitt. Poor vs. privileged?